"Harmonia artificioso - ariosa: Partia VII in C Minor, Arietta variata" by Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra, Jeanne Lamon was released on 1994. Harmonia artificioso - ariosa: Partia VII in C Minor, Arietta variata is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. The song is number 38 out of 38 in Biber: Harmonia artificioso-ariosa by Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra. Harmonia artificioso - ariosa: Partia VII in C Minor, Arietta variata is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Harmonia artificioso - ariosa: Partia VII in C Minor, Arietta variata by Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra, Jeanne Lamon is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia per violoncello in G Minor: II. Allegro | Giovanni Bononcini, Marco Ceccato, Accademia Ottoboni | A♭ Minor | 1 | 1A | 73 BPM | ||
Concerto I in Sol minore RV 157: Largo | Modo Antiquo, Federico Maria Sardelli | G Minor | 1 | 6A | 62 BPM | ||
Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro | Giuseppe Sammartini, Dan Laurin, Parnassus Avenue | D♭ Minor | 0 | 12A | 141 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: I. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 137 BPM | ||
Trio Sonata in D Minor, RV 63 "Follia": Variation 8 (Adagio) | Antonio Vivaldi, Le Consort | D♭ Minor | 3 | 12A | 78 BPM | ||
Viola da Gamba Suite in D Major: VII. Tempo di minuetto | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 111 BPM | ||
Concerto in A Minor for 3 Violins, Viola and Basso Continuo: I. Andante Lento | Nicola Fiorenza, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM | ||
Sonata a 6 in D Minor, G. 23 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | D Major | 1 | 10B | 93 BPM | ||
Trios de la chambre du Roi, LWV 35 (Ed. R. Gwilt): No. 47, Chaconne in C Major | Jean-Baptiste Lully, London Baroque | B Major | 3 | 1B | 105 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM |
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