- BPM
- 64
- Key
- E Minor
- Camelot
- 9A
Ciudades: III. Tokyo - Guillermo Lago, Maat Saxophone Quartet Information
- Acousticness
- 99%
- Danceability
- 36%
- Energy
- 20%
- Instrumentalness
- 91%
- Liveness
- 8%
- Loudness
- 68%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 2%
- Loudness
- -19.097 dB
Summary
"Ciudades: III. Tokyo" by Guillermo Lago, Maat Saxophone Quartet was released on April 3, 2020. With this song being about 5 minutes long, at 4:40, "Ciudades: III. Tokyo" by Guillermo Lago, Maat Saxophone Quartet is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 16 in Ciudades by Maat Saxophone Quartet. Ciudades: III. Tokyo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Ciudades: III. Tokyo BPM
The tempo marking of Ciudades: III. Tokyo by Guillermo Lago, Maat Saxophone Quartet is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Ciudades: III. Tokyo Key
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Ciudades: III. Addis Abeba | Guillermo Lago, Fukio Ensemble | G Major | 4 | 9B | 101 BPM | |
 | Scaramouche, Op. 165c: III. Brazileira | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | F Major | 3 | 7B | 72 BPM | |
 | Ode to Odessa | Eva Wassermann, Luigi Magistrelli | E Major | 1 | 12B | 80 BPM | |
 | Copland: Symphony No. 3: I. Molto moderato, with simple expression | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | A Major | 1 | 11B | 82 BPM | |
 | Polaris | Mark Ford | G Minor | 1 | 6A | 107 BPM | |
 | Preludio amolecado | Radamés Gnattali, Martin Jones | F Major | 0 | 7B | 89 BPM | |
 | Saxophone Concerto, Op. 59 "Cyber-bird": II. Bird in Grief | Takashi Yoshimatsu, Sachio Fujioka, BBC Philharmonic, Nobuya Sugawa | C Minor | 0 | 5A | 171 BPM | |
 | Mermaid's Song | Lūcija Garūta, Ilona Meija, Dzintra Erliha | A Minor | 0 | 8A | 106 BPM | |
 | Eccles: Sonata in G Minor: II. Corrente, Allegro staccato | Mark Morton | G Minor | 1 | 6A | 102 BPM | |
 | Fantaisie sur un theme original | Jules Demersseman, Claude Delangle, Odile Delangle | B♭ Major | 1 | 6B | 114 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6624171733856201
End: 0.6671342849731445