"Saxophone Concerto, Op. 59 "Cyber-bird": II. Bird in Grief" by Takashi Yoshimatsu, Sachio Fujioka, BBC Philharmonic, Nobuya Sugawa was released on June 1, 1999. Since Saxophone Concerto, Op. 59 "Cyber-bird": II. Bird in Grief is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Yoshimatsu: Symphony No. 3 - Saxophone Concerto by Takashi Yoshimatsu, Sachio Fujioka, BBC Philharmonic, Nobuya Sugawa. The song's track number on the album is #2 out of 7 tracks. The popularity of Saxophone Concerto, Op. 59 "Cyber-bird": II. Bird in Grief is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Saxophone Concerto, Op. 59 "Cyber-bird": II. Bird in Grief by Takashi Yoshimatsu, Sachio Fujioka, BBC Philharmonic, Nobuya Sugawa has a tempo of 171 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Saxophone Concerto, Op. 59 "Cyber-bird": II. Bird in Grief being at 171 BPM, the half-time would be 86 BPM with a double-time of 342 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatuor pour la fin du Temps: VII. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du Temps | Olivier Messiaen, Martin Fröst | E Major | 2 | 12B | 134 BPM | ||
Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | ||
A Quiet Place - Ed. Sunderland / Act 1: Postlude | Leonard Bernstein, Orchestre Symphonique de Montréal, Kent Nagano | E Minor | 0 | 9A | 86 BPM | ||
Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
Saint-Saëns: Clarinet Sonata in E-Flat Major, Op. 167: IV. Molto allegro | Camille Saint-Saëns, Sabine Meyer | E♭ Major | 1 | 5B | 80 BPM | ||
Quiet City | Aaron Copland, Celia Nicklin, Michael Laird, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 70 BPM | ||
Stellar Dream Dances, Op. 89: II. Ru-ru | Takashi Yoshimatsu, Pro Musica Nipponia, Yasuki Nakura, Nanae Yoshimura | E Minor | 1 | 9A | 165 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Andrew Davis, BBC Philharmonic, Tasmin Little | E Major | 0 | 12B | 80 BPM | ||
The Jester at the Wedding: VI. Finale, "The Princess and the Jester" | Eric Coates, John Wilson, BBC Philharmonic | E Minor | 0 | 9A | 67 BPM | ||
Japanese Suite, Op. 33: VI. Finale: Dance of the Wolves | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 4 | 5A | 101 BPM |
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