"Into the West - From "The Lord of the Rings: The Return of the King"" by The City of Prague Philharmonic Orchestra was released on January 1, 2004. With this song being about 5 minutes long, at 4:33, "Into the West - From "The Lord of the Rings: The Return of the King"" by The City of Prague Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 30 in the song's album "Reel Chill". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Into the West - From "The Lord of the Rings: The Return of the King"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Into the West - From "The Lord of the Rings: The Return of the King" by The City of Prague Philharmonic Orchestra having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Main Theme - From "Once Upon a Time in America" | Ennio Morricone, The City of Prague Philharmonic Orchestra, Nicholas Charles Raine, James Fitzpatrick | E Minor | 0 | 9A | 166 BPM | ||
Six Years Later | Rachel Portman | G Major | 1 | 9B | 172 BPM | ||
Duneagle | John Lunn, The Chamber Orchestra Of London | F♯ Minor | 2 | 11A | 92 BPM | ||
Sleeping Beauty Waltz | Pyotr Ilyich Tchaikovsky, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | B♭ Major | 2 | 6B | 105 BPM | ||
Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | B Major | 4 | 1B | 113 BPM | ||
Phantom Fantasia: Masquerade | Andrew Lloyd Webber, Anthony Inglis | E♭ Major | 3 | 5B | 100 BPM | ||
Main Title | Jerry Goldsmith | A Major | 1 | 11B | 94 BPM | ||
Schwanensee, Op. 20: Act II No. 10: Scene | Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky | E Minor | 2 | 9A | 87 BPM | ||
Achilles: Agony and Fury | Federico Nicola Aschieri | C Minor | 4 | 5A | 142 BPM | ||
The Friends | Nicholas Hooper | C Major | 1 | 8B | 74 BPM |
Section: 0.5985531806945801
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