"Fantasie In C Op.17 - Durchaus Phantastisch Und Leidenschaftlich Vorzutragen - Im Legendenton- Tempo primo"
Claudio Arrau
Claudio Arrau Vol.2
14:45 2004
BPM
135
Key
C Minor
Camelot
5A

Embed

Share Link

"Fantasie In C Op.17 - Durchaus Phantastisch Und Leidenschaftlich Vorzutragen - Im Legendenton- Tempo primo" - Claudio Arrau Information

Acousticness
100%
Danceability
36%
Energy
8%
Instrumentalness
91%
Liveness
10%
Loudness
67%
Speechiness
4%
Valence
4%
Popularity
Loudness
-19.991 dB

Summary

""Fantasie In C Op.17 - Durchaus Phantastisch Und Leidenschaftlich Vorzutragen - Im Legendenton- Tempo primo"" by Claudio Arrau was released on 2004. "Fantasie In C Op.17 - Durchaus Phantastisch Und Leidenschaftlich Vorzutragen - Im Legendenton- Tempo primo" appears to be safe for all ages as it is not explicit. The song is number 4 out of 7 in Claudio Arrau Vol.2 by Claudio Arrau. Based on our statistics, "Fantasie In C Op.17 - Durchaus Phantastisch Und Leidenschaftlich Vorzutragen - Im Legendenton- Tempo primo"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

"Fantasie In C Op.17 - Durchaus Phantastisch Und Leidenschaftlich Vorzutragen - Im Legendenton- Tempo primo" BPM

The tempo marking of "Fantasie In C Op.17 - Durchaus Phantastisch Und Leidenschaftlich Vorzutragen - Im Legendenton- Tempo primo" by Claudio Arrau is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

"Fantasie In C Op.17 - Durchaus Phantastisch Und Leidenschaftlich Vorzutragen - Im Legendenton- Tempo primo" Key

C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Lyric Pieces Book VII, Op. 62: No. 4 Brooklet by Edvard Grieg, Emil GilelsLyric Pieces Book VII, Op. 62: No. 4 BrookletEdvard Grieg, Emil GilelsB Minor110A0 BPM
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto 6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point"Ralph Vaughan Williams, Gerald Peregrine, Antony InghamE♭ Major05B90 BPM
Sonata in D Minor, K. 9 by Domenico Scarlatti, Ivo PogorelichSonata in D Minor, K. 9Domenico Scarlatti, Ivo PogorelichD Minor07A94 BPM
Chopin: 12 Études, Op. 10: No. 3 in E Major Chopin: 12 Études, Op. 10: No. 3 in E Major "Tristesse"Frédéric Chopin, Boris BerezovskyF Minor24A84 BPM
Notturno in G Minor by Fanny Mendelssohn, Heather SchmidtNotturno in G MinorFanny Mendelssohn, Heather SchmidtG Minor16A125 BPM
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento by Alexander Scriabin, Evgeny Zarafiants5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: LentoAlexander Scriabin, Evgeny ZarafiantsA Minor08A129 BPM
Liebestraume, S541/R211 : No. 3: Nocturne in A-Flat Major by Franz Liszt, Jenő JandóLiebestraume, S541/R211 : No. 3: Nocturne in A-Flat MajorFranz Liszt, Jenő JandóA♭ Major04B60 BPM
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile by Federico Mompou, Daniil TrifonovVariations On A Theme By Chopin: Variation 1. Tranquillo e molto amabileFederico Mompou, Daniil TrifonovA Major011B66 BPM
Schumann: Minnespiel aus Friedrich Rückerts Schumann: Minnespiel aus Friedrich Rückerts "Liebesfrühling", Op. 101: No. 1, Lied, "Meine Töne still und heiter" (Heiter und lebhaft)Friedrich Rückert, Robert Schumann, Nicolai GeddaC Major28B134 BPM
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo by Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio PappanoRespighi: Pini di Roma, P. 141: III. I pini del GianicoloOttorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio PappanoE Major012B81 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8913662433624268

End: 0.8943045139312744