"Chopin: 12 Études, Op. 10: No. 3 in E Major "Tristesse"" by Frédéric Chopin, Boris Berezovsky was released on July 1, 1991. With this song being about 5 minutes long, at 4:31, "Chopin: 12 Études, Op. 10: No. 3 in E Major "Tristesse"" by Frédéric Chopin, Boris Berezovsky is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 24 in Chopin: Études, Op. 10 & 25 by Frédéric Chopin, Boris Berezovsky. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Chopin: 12 Études, Op. 10: No. 3 in E Major "Tristesse" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chopin: 12 Études, Op. 10: No. 3 in E Major "Tristesse" by Frédéric Chopin, Boris Berezovsky is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne in C Sharp | Frédéric Chopin, Robin Smith, HAUSER, Robert Ziegler, London Symphony Orchestra | F♯ Minor | 3 | 11A | 85 BPM | ||
II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - Instrumental | Ludwig van Beethoven, Murray Perahia | A♭ Major | 0 | 4B | 62 BPM | ||
Serse, HWV 40: Ombra mai fu (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | A♭ Major | 0 | 4B | 70 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Minuet in E Major, D. 335 | Franz Schubert, Arcadi Volodos | E Major | 0 | 12B | 61 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | B Major | 0 | 1B | 85 BPM | ||
Du bist die Ruh, Op. 59/3, D. 776 | Franz Schubert, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 67 BPM | ||
Eroica Dance (Arr. for Piano from Symphony No. 3 in E-Flat Major, Op. 55 by Martin Stadtfeld ) | Ludwig van Beethoven, Martin Stadtfeld | E♭ Major | 2 | 5B | 143 BPM | ||
Après un rêve, Op. 7, No. 1 (Arr. Piano) | Gabriel Fauré, Alan Feinberg | F Minor | 2 | 4A | 134 BPM | ||
6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM |
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