- BPM
- 98
- Key
- C Major
- Camelot
- 8B
Fruhlingslied - Charles Ives, Heather Buck, Eric Trudel Information
- Acousticness
- 95%
- Danceability
- 32%
- Energy
- 4%
- Instrumentalness
- 0%
- Liveness
- 6%
- Loudness
- 57%
- Speechiness
- 6%
- Valence
- 6%
- Popularity
- 0%
- Loudness
- -25.502 dB
Summary
"Fruhlingslied" by Charles Ives, Heather Buck, Eric Trudel was released on July 29, 2008. The duration of Fruhlingslied is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Fruhlingslied's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Charles Ives, Various Artists's "Ives, C.: Songs, Vol. 2" album is number 20 out of 26. In terms of popularity, Fruhlingslied is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Fruhlingslied BPM
We consider the tempo marking of Fruhlingslied by Charles Ives, Heather Buck, Eric Trudel to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Fruhlingslied Key
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | |
 | Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Martin Fröst | F Minor | 0 | 4A | 100 BPM | |
 | Serenade: IV. Agathon. Adagio | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | |
 | Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | |
 | Wozzeck / Act III: Scene IV: Forest Path by a Pool. "Das Messer? Wo ist das Messer?" | Alban Berg, Heinz Zednik, Franz Grundheber, Aage Haugland, Wiener Philharmoniker, Claudio Abbado | F Minor | 1 | 4A | 82 BPM | |
 | Music for Strings, Percussion and Celesta, BB 114: III. Adagio | Béla Bartók, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 1 | 10B | 73 BPM | |
 | Piano Sonata No. 2, "Concord, Mass., 1840–1860": IV. Thoreau | Charles Ives, Donald Berman | C Major | 0 | 8B | 57 BPM | |
| Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | |
 | Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | |
 | Mathis Der Maler: Vorspiel: Concert of Angels | Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | G Major | 1 | 9B | 103 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6870331764221191
End: 0.6935982704162598