"Six Elizabethan Songs: 2. Sleep (Samuel Daniel)" by Dominick Argento, Barbara Bonney, André Previn was released on January 1, 1997. The duration of Six Elizabethan Songs: 2. Sleep (Samuel Daniel) is about 3 minutes long, at 3:05. Based on our data, "Six Elizabethan Songs: 2. Sleep (Samuel Daniel)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 30 in American Songs by Barbara Bonney, André Previn. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Six Elizabethan Songs: 2. Sleep (Samuel Daniel) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Six Elizabethan Songs: 2. Sleep (Samuel Daniel) by Dominick Argento, Barbara Bonney, André Previn is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Now Sleeps the Crimson Petal | Charlotte Hoather, George Todica | E Minor | 2 | 9A | 88 BPM | ||
Puts: The Hours, Act 1: "Go Slowly. Ignore Your Novel" (Virginia, Clarissa, Chorus, Leonard) [Live] | Kevin Puts, Yannick Nézet-Séguin, Joyce DiDonato, Metropolitan Opera Chorus, Renée Fleming, Sean Panikkar, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
The Crucifixion: Recitative: He made Himself of no reputation (Bass) | John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown | B♭ Minor | 1 | 3A | 78 BPM | ||
5 Lieder, Op. 48: No. 1, Freundliche vision | Charlotte Hoather | D Major | 1 | 10B | 94 BPM | ||
Strauss, R: 6 Lieder, Op. 37: No. 3, Meinem Kinde | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Elijah, Op. 70: "Be Not Afraid, Saith God the Lord" (Chorus) | Felix Mendelssohn, Gabrieli, William Whitehead, Paul McCreesh | G Major | 3 | 9B | 132 BPM | ||
Puts: The Hours, Act 2: "All Along?" (Clarissa, Laura, Virginia) [Live] | Kevin Puts, Yannick Nézet-Séguin, Joyce DiDonato, Kelli O'Hara, Renée Fleming, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
A Child of our Time, Part III: I would know my shadow and my light (Soloists, Chorus) | Michael Tippett, Pumeza Matshikiza, Sarah Connolly, Joshua Stewart, Ashley Riches, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Romanzen, Book 1, Op. 69: No. 6. Die Kapelle | Robert Schumann, Aquarius, Marc Michael de Smet | B Major | 0 | 1B | 83 BPM | ||
Let us garlands bring, Op. 18: It was a lover and his lass | Gerald Finzi, Roderick Williams, Iain Burnside | A Major | 1 | 11B | 138 BPM |
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