"Now Sleeps the Crimson Petal" by Charlotte Hoather, George Todica was released on May 15, 2017. The duration of Now Sleeps the Crimson Petal is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Now Sleeps the Crimson Petal's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 8 in Down the Rabbit Hole by Charlotte Hoather, George Todica. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Now Sleeps the Crimson Petal is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Now Sleeps the Crimson Petal by Charlotte Hoather, George Todica is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Act Two: Aria Ali: Unter Palmen Schlief Ich Ein - opera | Manhattan School of Music Opera Theater | D Major | 0 | 10B | 85 BPM | ||
Armies of the Gods | Paul Edward-Francis | D Major | 0 | 10B | 91 BPM | ||
Stabat Mater, FP 148: IV. Quae moerebat | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | A♭ Major | 1 | 4B | 175 BPM | ||
6 Ariette: No. 5, Per pietà, bell'idol mio | Vincenzo Bellini, Jessica Pratt, Vincenzo Scalera | C Minor | 1 | 5A | 122 BPM | ||
Pray “Psalm 23” | Yohan Susilo | A Major | 1 | 11B | 140 BPM | ||
Hoffmanns Erzählungen: Prologue: Aus dem Becher kommt der Trunk | Jacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen Szenkar | C Major | 3 | 8B | 75 BPM | ||
6 Lieder, Op. 86: II. Feldeinsamkeit | Johannes Brahms, Bernarda Fink, Roger Vignoles | E Minor | 0 | 9A | 94 BPM | ||
Kapitel 17 - Folge 42: Der Sandmann | Gruselkabinett, Marius Claren, Tanya Kahana, Marcel Colle, Ernst Theodor Amadeus Hoffmann | C Major | 6 | 8B | 120 BPM | ||
Liebesliederwalzer, Op. 52: VIII. Wenn so lind dein Auge mir | Johannes Brahms, Georg Friedrich Daumer, Werner Güra, Konrad Jarnot, Camillo Radicke, Christoph Berner, Stella Doufexis, Marlis Petersen | B Major | 3 | 1B | 90 BPM | ||
The Year's At The Spring | Amy Beach, Deborah Voigt | D♭ Major | 2 | 3B | 130 BPM |
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