On April 21, 2017, the song "Overture in the French Style in B Minor, BWV 831: VI. Bouree I-II" was released by Helmut Walcha. The duration of Overture in the French Style in B Minor, BWV 831: VI. Bouree I-II is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Overture in the French Style in B Minor, BWV 831: VI. Bouree I-II's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 53 in Bach: The Harpsichord Partitas by Helmut Walcha. In terms of popularity, Overture in the French Style in B Minor, BWV 831: VI. Bouree I-II is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Overture in the French Style in B Minor, BWV 831: VI. Bouree I-II by Helmut Walcha is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude and Fugue in F Major, BuxWV 145 | Dietrich Buxtehude, Helmut Walcha | E♭ Minor | 1 | 2A | 62 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
Arpeggione Sonata, D. 821: III. Allegretto | Franz Schubert, Anne Gastinel, Claire Désert | A♭ Minor | 1 | 1A | 173 BPM | ||
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | ||
Concerto in D Major | Johann Friedrich Fasch, Vienna Pro Musica, Vinzenz Hladky, Elfriede Kunschak | D Major | 3 | 10B | 119 BPM | ||
Christ lag in Todesbanden: Versus I | Johann Pachelbel, Beate Spaltner, Nils Giebelhausen, Wolf Matthias Friedrich, Jurgen Banholzer, Hermann Oswald, Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | D Minor | 3 | 7A | 109 BPM | ||
Prelude and Fugue in G Minor, BuxWV 149 | Dietrich Buxtehude, Helmut Walcha | E♭ Minor | 1 | 2A | 62 BPM | ||
Das listige Bauernmädchen: No. 12, — | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Introduzione | Franz Joseph Haydn, Edoardo Bellotti, Maurizio Salerno | A Major | 1 | 11B | 81 BPM | ||
Sonata in C Major, No. 3: IV. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B Major | 3 | 1B | 125 BPM |
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