Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia, Evgeny Brazhnik's 'Le Corsaire : Act II, Coda II' came out on January 1, 2003. With Le Corsaire : Act II, Coda II being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 14 out of 30 in Ballet Highlights. Adam, Delibes by Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Le Corsaire : Act II, Coda II is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Le Corsaire : Act II, Coda II by Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia, Evgeny Brazhnik is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Charles Gounod: Faust-Walzer aus der Oper " Margarethe " | Ein grosses Orchester, Michael Scholowsky | D Major | 2 | 10B | 197 BPM | ||
Babes in Toyland: Eccentric Dance (Gavotte) | Victor Herbert, Razumovsky Symphony Orchestra, Keith Brion | F Major | 1 | 7B | 84 BPM | ||
The Mikado: Overture | New D'Oyly Carte Opera Orchestra | C Major | 2 | 8B | 85 BPM | ||
Walpurgis Night. Ballet music from Faust Bacchante and Bacchus | Victor Fedotov, Academic Symphony Orchestra Of The St. Petersburg Philharmonic | E♭ Major | 1 | 5B | 140 BPM | ||
Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: II. Scene. The Street Awakens | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 2 | 8B | 72 BPM | ||
Gavotte | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | A Major | 1 | 11B | 130 BPM | ||
Coppelia: Act III - Danse de fete | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 72 BPM | ||
Slavonic Dances, Series I., Op. 46, B. 83: III. in A flat major. Poco allegro | Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner | A♭ Major | 0 | 4B | 131 BPM | ||
Nachtigall-Polka, Op. 222 | Johann Strauss II, Christian Thielemann, Wiener Philharmoniker | A Major | 4 | 11B | 100 BPM | ||
Tales of Beatrix Potter - Music from the Royal Ballet film: The Mouse Waltz | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | D Major | 2 | 10B | 128 BPM |
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