Camille Saint-Saëns, Torleif Thedéen, Jean-Jacques Kantorow, Tapiola Sinfonietta made "Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo (attacca)" available on April 5, 2019. Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo (attacca) is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The song is number 38 out of 99 in Classical Cello Hits by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo (attacca) is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo (attacca) by Camille Saint-Saëns, Torleif Thedéen, Jean-Jacques Kantorow, Tapiola Sinfonietta is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": II. Romanze: Andante | Wolfgang Amadeus Mozart, Capella Istropolitana, Wolfgang Sobotka | C Major | 0 | 8B | 143 BPM | ||
13 Pieces, Op. 76: No. 2 Etude | Jean Sibelius, Håvard Gimse | A Minor | 2 | 8A | 72 BPM | ||
Enfantillages pittoresques: II. Berceuse | Erik Satie, Cristina Ariagno | A Minor | 0 | 8A | 127 BPM | ||
Ave Maria | Charles Gounod, Yo-Yo Ma | C Major | 0 | 8B | 87 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song) | Felix Mendelssohn, Péter Nagy | G Minor | 0 | 6A | 72 BPM | ||
The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM | ||
Raymonda, Act I: Prelude et Variation | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | B Major | 0 | 1B | 104 BPM | ||
Nimrod (Lux Aeterna) | Edward Elgar, VOCES8 | D♭ Major | 1 | 3B | 175 BPM | ||
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation 18 (Andante cantabile) | Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra | D♭ Major | 1 | 3B | 61 BPM |
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