"Poulenc: Dialogues des Carmélites, FP 159, Act 2 Tableau 3: "Pourquoi vous tenez-vous ainsi ?" (Le Chevalier, Blanche)" by Francis Poulenc, José van Dam, Kent Nagano, Orchestre De L'Opéra National De Lyon was released on 1992. The duration of Poulenc: Dialogues des Carmélites, FP 159, Act 2 Tableau 3: "Pourquoi vous tenez-vous ainsi ?" (Le Chevalier, Blanche) is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Poulenc: Dialogues des Carmélites, FP 159, Act 2 Tableau 3: "Pourquoi vous tenez-vous ainsi ?" (Le Chevalier, Blanche)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 56 in the song's album "Poulenc: Dialogues des Carmelites". In this album, this song's track order is #5. Poulenc: Dialogues des Carmélites, FP 159, Act 2 Tableau 3: "Pourquoi vous tenez-vous ainsi ?" (Le Chevalier, Blanche) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Poulenc: Dialogues des Carmélites, FP 159, Act 2 Tableau 3: "Pourquoi vous tenez-vous ainsi ?" (Le Chevalier, Blanche) by Francis Poulenc, José van Dam, Kent Nagano, Orchestre De L'Opéra National De Lyon having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dolly, Op.56: 2. Mi-A-Ou | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 1 | 7B | 71 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato - | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A♭ Major | 1 | 4B | 149 BPM | ||
Suite for Two Pianos, Op. 6: II. Andantino con moto | Charles Koechlin, Tal & Groethuysen | F Minor | 0 | 4A | 192 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Evgeny Soifertis | C Minor | 0 | 5A | 103 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo - Adagio | Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi | D♭ Major | 0 | 3B | 69 BPM | ||
Sonata in E Major, K. 380 | Domenico Scarlatti, Khatia Buniatishvili | B Major | 0 | 1B | 84 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: III. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Major | 4 | 8B | 150 BPM | ||
Dolly, Op.56: 6. Le pas Espagnol | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 2 | 7B | 126 BPM |
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