"The Valkyrie: Act III - "Ride of the Valkyries"" by Dan Ettinger & The Orchestra of National Theater Mannheim was released on October 23, 2011. The duration of The Valkyrie: Act III - "Ride of the Valkyries" is about 3 minutes long, at 3:08. Based on our data, "The Valkyrie: Act III - "Ride of the Valkyries"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 31 in the song's album "Richard Wagner/Friedmann Dressler: The Symphonic Ring". In this album, this song's track order is #13. In terms of popularity, The Valkyrie: Act III - "Ride of the Valkyries" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Valkyrie: Act III - "Ride of the Valkyries" by Dan Ettinger & The Orchestra of National Theater Mannheim having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Relâche, Pt. 1: No. 3, Entrée de la femme | Erik Satie, Ronald Corp, New London Orchestra | D Minor | 2 | 7A | 131 BPM | ||
Ultimate Sacrifice-Freedom (5m21-22) | John Powell | B♭ Major | 2 | 6B | 95 BPM | ||
Amour... amour... (Version for Orchestra) | Franco Alfano, Orchestra Sinfonica Di Milano, Giuseppe Grazioli | G Major | 1 | 9B | 99 BPM | ||
Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Les Dragons d'Alcalo | Georges Bizet, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | G Major | 0 | 9B | 108 BPM | ||
Soirées Musicales, Op. 9 (After Rossini): March | Adelaide Symphony Orchestra, Timothy Sexton | B♭ Major | 3 | 6B | 115 BPM | ||
Piano Concerto No. 2 in C Minor: IV. Allegro deciso, assai moderato | Emil von Sauer, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | E♭ Major | 1 | 5B | 103 BPM | ||
And Tired From Happiness, They Started to Dance: I. Shadows in the Mirror | Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi | G Major | 2 | 9B | 85 BPM | ||
The Firebird Suite, K010, (1945 Version): XI. Berceuse | Igor Stravinsky, Philharmonia Orchestra, Santtu-Matias Rouvali | B♭ Major | 2 | 6B | 122 BPM | ||
Macbeth: Act IV, Introduction | Arthur Sullivan, Margaret MacDonald, RTE Chamber Choir, RTE Concert Orchestra, Andrew Penny | B Major | 2 | 1B | 82 BPM | ||
Symphonic Art | Ludwig van Beethoven, Staatskapelle Dresden, Herbert Blomstedt | B♭ Major | 0 | 6B | 172 BPM |
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