Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Patrick Wedd made "Tale of Tsar Saltan, Op. 57 (arr. S. Rachmaninov for piano): The Tale of Tsar Saltan: Flight of the Bumble-bee" available on January 1, 2000. With Tale of Tsar Saltan, Op. 57 (arr. S. Rachmaninov for piano): The Tale of Tsar Saltan: Flight of the Bumble-bee being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Organ Favorites On Vancouver's Orpheum Grand Wurlitzer". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Canada. In terms of popularity, Tale of Tsar Saltan, Op. 57 (arr. S. Rachmaninov for piano): The Tale of Tsar Saltan: Flight of the Bumble-bee is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Tale of Tsar Saltan, Op. 57 (arr. S. Rachmaninov for piano): The Tale of Tsar Saltan: Flight of the Bumble-bee by Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Patrick Wedd having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
16 Waltzes, Op. 39 (Version for Piano Duet): No. 15 in A-Flat Major | Johannes Brahms, Tal & Groethuysen | A Major | 0 | 11B | 126 BPM | ||
Bagatelles et impromptus: VII. Love | Bedřich Smetana, William Howard | A Major | 0 | 11B | 71 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
6 Romances, Op. 38: V. The Dream - Musical Moments | Sergei Rachmaninoff, Anna El-Khashem, Holger Groschopp | D Major | 5 | 10B | 140 BPM | ||
Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | G Major | 1 | 9B | 66 BPM | ||
Vocalise, Op. 34, No. 14 (Arr. for Piano by Trifonov ) | Sergei Rachmaninoff, Daniil Trifonov | E♭ Major | 0 | 5B | 70 BPM | ||
Holberg Suite, Op. 40: IV. Air (Andante religioso) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B♭ Major | 0 | 6B | 86 BPM | ||
Symphony No. 5 In C Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 87 BPM |
Section: 0.8313546180725098
End: 0.8351118564605713