Tallis: Tunes for Archbishop Parker's Psalter - 3. Why Fum'th in Fight the Gentiles Spite - The Tallis Scholars, Peter Phillips Information

Acousticness: 100%
Danceability: 15%
Energy: 6%
Instrumentalness: 0%
Liveness: 8%
Loudness: 57%
Speechiness: 5%
Valence: 5%
Popularity: 16%
Loudness: -25.935 dB

Summary

"Tallis: Tunes for Archbishop Parker's Psalter - 3. Why Fum'th in Fight the Gentiles Spite" by The Tallis Scholars, Peter Phillips was released on April 1, 2004. With Tallis: Tunes for Archbishop Parker's Psalter - 3. Why Fum'th in Fight the Gentiles Spite being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 74 in the song's album "Spem in Alium - The Tallis Scholars Sing Thomas Tallis (With 3 Bonus Tracks)". In this album, this song's track order is #33. The popularity of Tallis: Tunes for Archbishop Parker's Psalter - 3. Why Fum'th in Fight the Gentiles Spite is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Tallis: Tunes for Archbishop Parker's Psalter - 3. Why Fum'th in Fight the Gentiles Spite BPM

With Tallis: Tunes for Archbishop Parker's Psalter - 3. Why Fum'th in Fight the Gentiles Spite by The Tallis Scholars, Peter Phillips having a BPM of 191 with a half-time of 96 BPM and a double-time of 382 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.

Tallis: Tunes for Archbishop Parker's Psalter - 3. Why Fum'th in Fight the Gentiles Spite Key

This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Blessed Is the Man, Op. 44 No. 2 (Arr. G. Smirnov for Choir)	Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik	C Minor	1	5A	137 BPM
Psalm 130: Ich Harre auf den Herren	Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör	B♭ Major	1	6B	92 BPM
Byrd: Mass for Four Voices - 01. Kyrie	William Byrd, Peter Phillips, The Tallis Scholars	G Minor	2	6A	74 BPM
Kyrie Eleison In G Minor, Kcc 089	Kiev Chamber Choir	G Minor	1	6A	82 BPM
Locus iste	Anton Bruckner, Choir of St. John's College, Cambridge, Andrew Nethsingha	B Minor	1	10A	137 BPM
Miserere mei, Z. 109	Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist	A Minor	1	8A	66 BPM
Mass in G Minor: Gloria in excelsis	Ralph Vaughan Williams, Choir of St. John's College, Cambridge, Daniel Brown, James Adams, Michael Bell, William Ashford, Andrew Nethsingha	C Major	0	8B	143 BPM
Eternal Rest	James Whitbourn, Commotio, Henry Parkes, Matthew Berry	G Major	1	9B	127 BPM
6 Chansons: No. 6. Verger	Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed	C Minor	3	5A	133 BPM
6 Chansons: No. 1. La biche	Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed	D♭ Minor	1	12A	102 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.5578439235687256

End: 0.5622401237487793