- BPM
- 84
- Key
- D Major
- Camelot
- 10B
La Belle Dame sans merci (Arr. for Voice & Orchestra by Jeremy Dibble) - Charles Villiers Stanford, Morgan Pearse, BBC Concert Orchestra, John Andrews Information
- Acousticness
- 92%
- Danceability
- 16%
- Energy
- 23%
- Instrumentalness
- 45%
- Liveness
- 9%
- Loudness
- 61%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -23.246 dB
Summary
"La Belle Dame sans merci (Arr. for Voice & Orchestra by Jeremy Dibble)" by Charles Villiers Stanford, Morgan Pearse, BBC Concert Orchestra, John Andrews had its release date on June 7, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 22 in the song's album "Stanford: Orchestral Songs". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. La Belle Dame sans merci (Arr. for Voice & Orchestra by Jeremy Dibble) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Belle Dame sans merci (Arr. for Voice & Orchestra by Jeremy Dibble) BPM
With La Belle Dame sans merci (Arr. for Voice & Orchestra by Jeremy Dibble) by Charles Villiers Stanford, Morgan Pearse, BBC Concert Orchestra, John Andrews having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
La Belle Dame sans merci (Arr. for Voice & Orchestra by Jeremy Dibble) Key
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | |
 | Te Deum, Hob. XXIIIc:2 | Joseph Haydn, Richard Hickox, Collegium Musicum 90, Collegium Musicum 90 Choir | E Major | 1 | 12B | 71 BPM | |
 | Sacred Heart (Ubi Caritas III) | Ola Gjeilo, Westminster Williamson Voices, Valissa Willwerth, Blake Espy, Pamela Fay, Glenn Fischbach, James Jordan | F♯ Major | 4 | 2B | 123 BPM | |
 | Hear My Prayer | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 175 BPM | |
 | Romanzen und Balladen, Book 1, Op. 67: Der Konig von Thule | Robert Schumann, SWR Vokalensemble Stuttgart, Rupert Huber | G Major | 2 | 9B | 169 BPM | |
 | Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | |
 | Trois chansons M. 69: II. Trois beaux oiseaux du paradis | Maurice Ravel, Netherlands Chamber Choir | E Major | 3 | 12B | 78 BPM | |
 | 5 Sonnets from "The Triumph of Love", Op. 82 (Version for Voice & Orchestra): No. 4, I Think that We Were Children | Charles Villiers Stanford, Sharon Carty, BBC Concert Orchestra, John Andrews | E Minor | 0 | 9A | 170 BPM | |
 | Hymne au soleil | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D Major | 1 | 10B | 131 BPM | |
 | 6 Chansons: No. 5. En hiver | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | D Minor | 1 | 7A | 129 BPM |
- ISRC
- GBC3S2434504
- Label
- L-M Records/RCA Records