Henri Desmarets, Jordi Savall, Le Concert Des Nations's 'Messe à double chœur: Et vitam venturi saeculi' came out on December 1, 2017. The duration of Messe à double chœur: Et vitam venturi saeculi is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Messe à double chœur: Et vitam venturi saeculi's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jordi Savall's "In Excelsis Deo" album is number 28 out of 55. Messe à double chœur: Et vitam venturi saeculi is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messe à double chœur: Et vitam venturi saeculi by Henri Desmarets, Jordi Savall, Le Concert Des Nations to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Circe: IV. Approchez-vous, heureux Mortels | Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs, Jonathan Woody, Aaron Sheehan | C Minor | 0 | 5A | 101 BPM | ||
Credo in F Major: V. Et vitam | Antonio Lotti, Thomas Hengelbrock | E Major | 2 | 12B | 183 BPM | ||
Circe: VI. Premier Air pour les Grecs | Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs | C Minor | 0 | 5A | 101 BPM | ||
Kuhnau: Magnificat in C Major: I. Chorus. "Magnificat" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
La Favolla d'Apollo: 18. Piangete, Ninfe "La Dafne" | Marco da Gagliano, Ensemble Pygmalion, Davy Cornillot, Virgile Ancely, Maïlys De Villoutreys, Luciana Mancini, Raphael Pichon, Deborah Cachet, Zachary Wilder | A Major | 1 | 11B | 138 BPM | ||
Libera me in C Minor, HocJ E.2: VII. Dum veneris iudicare | Niccolò Jommelli, Il Gardellino, Gudrun Sidonie Otto, Helen Charlston, Daniel Johannsen, Sebastian Myrus, Peter Van Heyghen | B Minor | 0 | 10A | 163 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Anime avventurose" - "Torna o bella" (Orfeo, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
2. Notenbüchlein für Anna Magdalena Bach: I. No. 13a, Gib Dich zufrieden und sei stille, BWV 511 | Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Stabat Mater, P. 77: IX. Sancta Mater | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Egisto, Atto III Scena 10: Amanti, se credete | Francesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, François Joubert-Caillet, Mariana Flores | A Major | 1 | 11B | 109 BPM |
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