"Matthäus-Passion, BWV 244, Zweiter Teil: 58. (Evangelist und Chorus) "Und da sie an die Stätte kamen", usw." by Johann Sebastian Bach, Collegium Vocale Gent, Ian Bostridge, Philippe Herreweghe was released on 1999. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Johann Sebastian Bach, Philippe Herreweghe, Collegium Vocale Gent's "J.S. Bach: Matthäus-Passion BWV 244" album is number 6 out of 68. On top of that, France appears to be the country where this track was created. In terms of popularity, Matthäus-Passion, BWV 244, Zweiter Teil: 58. (Evangelist und Chorus) "Und da sie an die Stätte kamen", usw. is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Matthäus-Passion, BWV 244, Zweiter Teil: 58. (Evangelist und Chorus) "Und da sie an die Stätte kamen", usw. by Johann Sebastian Bach, Collegium Vocale Gent, Ian Bostridge, Philippe Herreweghe to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: Dixit Dominus in D Major, RV 594: III. Virgam virtutis tuae | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Deborah Norman, Sarah Fox, Stephen Cleobury | D♭ Major | 1 | 3B | 97 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Goldberg Variations In G Major BWV 988, Aria With 30 Variations, Goldberg Variationen, G Dur BWV 988, Aria Mit 30 Veränderungen : Aria | Arts Music Recording, Rotterdam, Pieter-Jan Belder, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: III. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 104 BPM | ||
Jesu, Meine Freude Bwv 358 | Nicol Matt, Heike Hümmer, Soloists Of The Freiburger Barockorchester, Johann Sebastian Bach, Robert Sagasser, Nordic Chamber Choir, Jens Wollenschläger, Jörg Halobek, Martina Rotbauer, Ute Petersilge | D♭ Minor | 1 | 12A | 0 BPM | ||
Vivaldi: Magnificat in G Minor, RV 610: III. Et misericordia | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | E Minor | 2 | 9A | 100 BPM | ||
Buxtehude: Jesu, meines Lebens Leben, BuxWV 62 | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Michael Chance, Christoph Prégardien, Peter Kooij, Amsterdam Baroque Orchestra | D♭ Minor | 1 | 12A | 97 BPM | ||
Gloria in D, R.589: 9. Qui tollis peccata mundi | Antonio Vivaldi, Simon Preston, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music | E♭ Minor | 1 | 2A | 134 BPM | ||
"Kommt, eilet und laufet" Cantata, BWV 249 - "Oster-Oratorium" - Version: Paul McCreesh: 11. Chorus: Preis und Dank | Johann Sebastian Bach, Kimberly McCord, Robin Blaze, Paul Agnew, Neal Davies, Gabrieli, Paul McCreesh | D♭ Major | 3 | 3B | 175 BPM | ||
Chromatic Fantasy and Fuge, In D Minor BWV 903, Chromatische Fantasie and Fuge, D Moll BWV 903: Fantasie | Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach | C Minor | 3 | 5A | 76 BPM |
Section: 0.6647307872772217
End: 0.6681976318359375