Niccolò Paganini, Luigi Alberto Bianchi, Maurizio Preda made "60 Variations on Barucaba, Op. 14, MS 71: Group No. 3: Variation 12" available on January 1, 2000. With 60 Variations on Barucaba, Op. 14, MS 71: Group No. 3: Variation 12 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 67 in the song's album "Paganini: Sonata Concertata / Cantabile E Valtz / 60 Variations On Barucaba". In this album, this song's track order is #59. Furthermore, we believe that the track originated from Italy. Based on our statistics, 60 Variations on Barucaba, Op. 14, MS 71: Group No. 3: Variation 12's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With 60 Variations on Barucaba, Op. 14, MS 71: Group No. 3: Variation 12 by Niccolò Paganini, Luigi Alberto Bianchi, Maurizio Preda having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
24 Caprices, Op.1 (2000 - Remaster): No. 6 in G Minor | Niccolò Paganini, Itzhak Perlman | G Minor | 2 | 6A | 131 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM | ||
Chopin Mazurka in A Minor, Op.67,No.4: Frederic Chopin | Mela Tenenbaum | A Major | 1 | 11B | 135 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
The Last Rose of Summer "Étude No. 6" | Heinrich Wilhelm Ernst, Midori | G Major | 0 | 9B | 98 BPM | ||
Serenade in E Minor, Op. 20: I. Allegro piacevole | Edward Elgar, Mainz Chamber Orchestra, Gernot Schulz | E Minor | 1 | 9A | 81 BPM | ||
Légende op. 17 | Henryk Wieniawski, Ray Chen | G Minor | 1 | 6A | 63 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in G Minor. Allegro (Orch. Schmeling) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 145 BPM | ||
Guitar Sonata No. 20 in C Major, MS 84 | Niccolò Paganini, Mauro Bonelli | E♭ Major | 2 | 5B | 121 BPM |
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