"レクイエム KV 626 III- セクエンツィア (続唱) 6. ラクリモサ (涙の日)" by Wolfgang Amadeus Mozart, アンドルー・パロット, ボストン・アーリー・ミュージック・フェスティヴァル管弦楽団・合唱団 was released on May 24, 2006. The duration of レクイエム KV 626 III- セクエンツィア (続唱) 6. ラクリモサ (涙の日) is about 3 minutes long, at 3:01. Based on our data, "レクイエム KV 626 III- セクエンツィア (続唱) 6. ラクリモサ (涙の日)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in モーツァルト: レクイエム, so we believe that "レクイエム KV 626 III- セクエンツィア (続唱) 6. ラクリモサ (涙の日)" is a single. Based on our statistics, レクイエム KV 626 III- セクエンツィア (続唱) 6. ラクリモサ (涙の日)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of レクイエム KV 626 III- セクエンツィア (続唱) 6. ラクリモサ (涙の日) by Wolfgang Amadeus Mozart, アンドルー・パロット, ボストン・アーリー・ミュージック・フェスティヴァル管弦楽団・合唱団 is Allegro (fast, quick, and bright), since this song has a tempo of 147 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grande Messe en ut mineur, K. 427: Domine | Wolfgang Amadeus Mozart, Orchestre & Chorale Paul Kuentz, Barbara Schlick, Mechthild Georg, Alexander Stevenson, Philip Langshaw | C Major | 2 | 8B | 90 BPM | ||
「グリーンスリーブズ」による幻想曲 | Ralph Vaughan Williams, Sir Charles Groves, フィルハーモニア管弦楽団 | D Minor | 4 | 7A | 149 BPM | ||
[blank]: Préludes / Book 1, L. 117: 亜麻色の髪の乙女 | Claude Debussy, Fujiko Hemming | B Major | 0 | 1B | 106 BPM | ||
ハチャトゥリャン:組曲「仮面舞踏会」より「ワルツ」 | ハチャトゥリャン, のだめオーケストラ | E Minor | 4 | 9A | 99 BPM | ||
シシリエンヌ | Gabriel Fauré, 上野星矢 | B♭ Minor | 2 | 3A | 82 BPM | ||
Messa da Requiem: Dies irae | Giuseppe Verdi, Cesar Hernandez, Carlo Colombara, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Pier Giorgio Morandi | C Minor | 2 | 5A | 79 BPM | ||
Die Walküre, 3. Akt: Walkürenritt (Apocalypse Now): Act III: Ride of the Valkyries | Richard Wagner, Slovak Radio Symphony Orchestra, Uwe Mund | G Major | 2 | 9B | 91 BPM | ||
バレエ組曲「白鳥の湖」~ワルツ(チャイコフスキー) | Pyotr Ilyich Tchaikovsky, Vladimir Fedoseyev, モスクワ放送交響楽団 | A Major | 2 | 11B | 72 BPM | ||
サラバンド | George Frideric Handel, 伊藤悠貴 | G Major | 1 | 9B | 88 BPM | ||
Handel: Serse, HWV 40, Act 1 Scene 1: No. 2, Arioso, "Ombra mai fù" (Serse) | George Frideric Handel, William Christie | E Major | 1 | 12B | 89 BPM |
Section: 0.613884687423706
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