"Messa da Requiem: Dies irae" by Giuseppe Verdi, Cesar Hernandez, Carlo Colombara, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Pier Giorgio Morandi was released on April 18, 2006. The duration of Messa da Requiem: Dies irae is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Messa da Requiem: Dies irae's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi (The Very Best Of) by Giuseppe Verdi. The song's track number on the album is #1 out of 36 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Messa da Requiem: Dies irae is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messa da Requiem: Dies irae by Giuseppe Verdi, Cesar Hernandez, Carlo Colombara, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Pier Giorgio Morandi has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Messa da Requiem: Dies irae being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introduction and Rondo capriccioso in A Minor | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 1 | 8A | 91 BPM | ||
Requiem: VI. Rex Tremendae | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea | C Minor | 1 | 5A | 108 BPM | ||
Messa da Requiem: II Liber sciptus | Mass Text, Giuseppe Verdi, Hungarian State Opera Chorus, Elena Filipova, Cesar Hernandez, Hungarian State Opera Orchestra, Carlo Colombara, Gloria Scalchi | D Major | 1 | 10B | 82 BPM | ||
Requiem, Op. 9 (1961 version): Sanctus | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | G Minor | 1 | 6A | 136 BPM | ||
Aida: Act I: Ritorna Vincitor! ... I Sacri Nomi Di Padre, D'amante | Giuseppe Verdi, Mark Rucker, Maria Dragoni, Riccardo Ferrari, Kristjan Johannson, Francesco Ellero d' Artegna, RTÉ National Symphony Orchestra, Barbara Dever, Antonio Ghislanzoni | F♯ Major | 1 | 2B | 82 BPM | ||
Aida / Act 4: "Radamès! Radamès! Radamès!" | Giuseppe Verdi, Carlo Colombara, Veronica Simeoni, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | B♭ Major | 2 | 6B | 79 BPM | ||
Messa da Requiem: VII Dies irae | Cesar Hernandez, Elena Filipova, Hungarian State Opera Orchestra, Gloria Scalchi, Hungarian State Opera Chorus, Carlo Colombara | G Minor | 3 | 6A | 139 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
On the Hills of Manchuria | Ilya Alekseevich Shatrov, First Separate Exemplary Orchestra of USSR Defense Ministry, Nikolai Nazarov | C Minor | 5 | 5A | 83 BPM | ||
From Beethoven 9 =3EM27= | Shiro Sagisu | D Major | 6 | 10B | 136 BPM |
Section: 0.7360248565673828
End: 0.7400879859924316