"Märchenbilder, Op. 113: No. 1 Nicht schnell (Transcr. Maisky for Cello & Piano)" by Robert Schumann, Mischa Maisky, Martha Argerich was released on January 1, 2000. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Schumann: Cello Concerto; Chamber Music". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. Märchenbilder, Op. 113: No. 1 Nicht schnell (Transcr. Maisky for Cello & Piano) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Märchenbilder, Op. 113: No. 1 Nicht schnell (Transcr. Maisky for Cello & Piano) by Robert Schumann, Mischa Maisky, Martha Argerich having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vieuxtemps: Violin Concerto No. 5 in A Minor, Op. 37: II. Adagio | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | A Major | 2 | 11B | 93 BPM | ||
12 German Dances, D790: No.11 | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 111 BPM | ||
Études-tableaux, Op. 39: No. 5, Appassionato | Sergei Rachmaninoff, Boris Giltburg | E♭ Minor | 1 | 2A | 66 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Cello Concerto No. 2 in D Major, Hob.VIIb:2: II. Adagio | Joseph Haydn, Steven Isserlis, Sir Roger Norrington | A Minor | 0 | 8A | 126 BPM | ||
Variations on a Rococo Theme, Op. 33, TH. 57: Variazione VII e Coda: Allegro vivo | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 168 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 9 in E Major | Niccolò Paganini, Itzhak Perlman | E Major | 2 | 12B | 99 BPM | ||
Schumann: Liederkreis, Op. 24: No. 2, Es treibt mich hin | Heinrich Heine, Robert Schumann, Ian Bostridge, Julius Drake | F♯ Major | 1 | 2B | 168 BPM | ||
Variations Concertantes, Op. 17, MWV Q19: Theme | Felix Mendelssohn, Mischa Maisky, Sergio Tiempo | D Major | 1 | 10B | 128 BPM |
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