"L'Orgue Mystique - Seventh Sunday after Pentecost: Prelude a l'Introit" by Charles Tournemire, David M Patrick was released on September 9, 1991. With L'Orgue Mystique - Seventh Sunday after Pentecost: Prelude a l'Introit being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in David M Patrick's "Great European Organs No.28: Blackburn Cathedral" album is number 13 out of 18. On top of that, United Kingdom appears to be the country where this track was created. L'Orgue Mystique - Seventh Sunday after Pentecost: Prelude a l'Introit is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L'Orgue Mystique - Seventh Sunday after Pentecost: Prelude a l'Introit by Charles Tournemire, David M Patrick to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thalben-Ball: Elegy | George Thalben-Ball, Ian Tracey | G Minor | 0 | 6A | 98 BPM | ||
Fiori musicali, Op. 12, F 12.34: No. 34, Toccata avanti la Missa della Madonna | Girolamo Frescobaldi, Bernard Foccroulle | D♭ Minor | 0 | 12A | 79 BPM | ||
Emperor's Fanfare | Paul Fey | D♭ Major | 4 | 3B | 90 BPM | ||
Variationen für Orgel Solo über "Die Blümelein, sie schlafen": No. 6, Quasi Marcia | Alexander Därr | F Major | 1 | 7B | 78 BPM | ||
Prelude modale for Organ - Live | Martin K. Schubert | D Minor | 0 | 7A | 67 BPM | ||
The Nutcracker Suite, Op. 71a, TH 35 (Excerpts Arr. I. Tracey for Organ): IIb. Danse de la fée-dragée | Pyotr Ilyich Tchaikovsky, Ian Tracey | D Major | 2 | 10B | 67 BPM | ||
Imperial March, Op. 32 | Edward Elgar, arr. George Martin, David Halls | B♭ Major | 1 | 6B | 91 BPM | ||
Church of the Ancestors | Marcel Barsotti | B♭ Major | 0 | 6B | 128 BPM | ||
Praeambulum in D | Heinrich Scheidemann, Bart Jacobs | D Minor | 1 | 7A | 71 BPM | ||
Aria for String Quartet, Op. 9 | Mieczysław Weinberg, NOVO Quartet | G Minor | 0 | 6A | 103 BPM |
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