"Tannhäuser: Beglückt darf nun dich, o Heimat, ich schauen" by Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos was released on September 4, 1995. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos's "Grosse deutsche Opernchöre" album is number 11 out of 11. Tannhäuser: Beglückt darf nun dich, o Heimat, ich schauen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tannhäuser: Beglückt darf nun dich, o Heimat, ich schauen by Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana / Uf dem Anger: "Floret silva nobilis" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | G Major | 0 | 9B | 105 BPM | ||
Billy Budd, Op. 50, Act II: Billy in the Darbies: Look! Through the port comes the moonshine astray | Benjamin Britten, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | F Major | 0 | 7B | 168 BPM | ||
Le Comte Ory, Act I, Scene VIII, No. 4: En proie à la tristesse... Vous que l'on dit sensible... Céleste providence | Gioachino Rossini, Pretty Yende, Marco Armiliato | E♭ Major | 2 | 5B | 88 BPM | ||
The Music Makers, Op. 69: II. We are the music makers (Chorus) | Edward Elgar, Andrew Davis, BBC Symphony Orchestra, BBC Symphony Chorus | B♭ Minor | 0 | 3A | 128 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 4 | 6B | 139 BPM | ||
Lohengrin, WWV 75 / Act III: "Mein lieber Schwan!" | Richard Wagner, Siegfried Jerusalem, Kurt Moll, Waltraud Meier, Cheryl Studer, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 117 BPM | ||
Die lustige Witwe / Act II: "Ich bitte, hier jetzt zu verweilen" - "Es lebt' eine Vilja" | Franz Lehár, Cheryl Studer, Wiener Philharmoniker, John Eliot Gardiner, The Monteverdi Choir | E Minor | 1 | 9A | 73 BPM | ||
Turandot / Act 3: "Diecimile anni al nostro Imperatore...Padre augusto" | Giacomo Puccini, Dame Joan Sutherland, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | A♭ Major | 3 | 4B | 134 BPM | ||
Mendelssohn: Elijah, Op. 70, MWV A25, Pt. 1: No. 13, Recitative with Choir. "Call Him Louder! He Heareth Not!" | Felix Mendelssohn, Gwyneth Jones, New Philharmonia Chorus, Wandsworth School Boys Choir, Rafael Frühbeck de Burgos, New Philharmonia Orchestra | D Major | 3 | 10B | 121 BPM |
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