"Die Walkure: Act I Scene 3: O lass in Nahe zu dir mich neigen (Sieglinde)" by Richard Wagner, Wolfgang Windgassen, Josef Greindl, Hans Hotter, Gré Brouwenstijn, Astrid Varnay, Georgine Von Milinkovic, Bayreuth Festival Orchestra, Hans Knappertsbusch was released on May 2, 2012. With this song being about 5 minutes long, at 4:36, "Die Walkure: Act I Scene 3: O lass in Nahe zu dir mich neigen (Sieglinde)" by Richard Wagner, Wolfgang Windgassen, Josef Greindl, Hans Hotter, Gré Brouwenstijn, Astrid Varnay, Georgine Von Milinkovic, Bayreuth Festival Orchestra, Hans Knappertsbusch is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Richard Wagner, Hans Knappertsbusch's "Hans Knappertbusch: Richard Wagner's Der Ring Des Nibelungen" album is number 16 out of 205. On top of that, United States appears to be the country where this track was created. In terms of popularity, Die Walkure: Act I Scene 3: O lass in Nahe zu dir mich neigen (Sieglinde) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Walkure: Act I Scene 3: O lass in Nahe zu dir mich neigen (Sieglinde) by Richard Wagner, Wolfgang Windgassen, Josef Greindl, Hans Hotter, Gré Brouwenstijn, Astrid Varnay, Georgine Von Milinkovic, Bayreuth Festival Orchestra, Hans Knappertsbusch to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": I. Allegro | Sergei Prokofiev, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 101 BPM | ||
Gounod : Faust : Act 1 "Ne permettrez-vous pas" [Faust, Méphistophélès, Marguerite, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 117 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mamma" | Pietro Mascagni, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | E Minor | 2 | 9A | 168 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Macbeth / Act 3: Ballet Music | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 1 | 7B | 102 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 7, Bydlo | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | A Major | 0 | 11B | 92 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
Die Meistersinger von Nürnberg, Act 1, Scene 2: Der Meister Tön' und Weisen | Richard Wagner, Bernd Weikl, Cheryl Studer, Wolfgang Sawallisch, Bavarian State Orchestra | C Major | 3 | 8B | 81 BPM |
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