La Sylphide: Act II: The Sylph: Sylphs - Herman Severin Løvenskiold, Lars Bjørnkjær, Aalborg Symphony Orchestra, Peter Ernst Lassen Information

Acousticness: 95%
Danceability: 10%
Energy: 4%
Instrumentalness: 86%
Liveness: 27%
Loudness: 61%
Speechiness: 4%
Valence: 7%
Popularity: 0%
Loudness: -23.445 dB

Summary

"La Sylphide: Act II: The Sylph: Sylphs" by Herman Severin Løvenskiold, Lars Bjørnkjær, Aalborg Symphony Orchestra, Peter Ernst Lassen was released on January 1, 2005. With La Sylphide: Act II: The Sylph: Sylphs being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 206 in Ballet Music (Music To the Bournonville Ballets) by Aalborg Symphony Orchestra, Peter Ernst Lassen. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. The popularity of La Sylphide: Act II: The Sylph: Sylphs is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

La Sylphide: Act II: The Sylph: Sylphs BPM

The tempo marking of La Sylphide: Act II: The Sylph: Sylphs by Herman Severin Løvenskiold, Lars Bjørnkjær, Aalborg Symphony Orchestra, Peter Ernst Lassen is Vivace (lively and fast), since this song has a tempo of 166 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.

La Sylphide: Act II: The Sylph: Sylphs Key

This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
4 Norwegian Dances, Op. 35: No. 2 in A-Major: Allegretto tranquillo e grazioso	Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi	A Major	0	11B	136 BPM
Capriccio espagnol, Op. 34: Fandango asturiano	Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Keith Clark	A Minor	2	8A	92 BPM
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo	Gustav Holst, English Sinfonia, Howard Griffiths	E Minor	1	9A	132 BPM
Etudes: IX. Piqués et grands pirouettes	Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra	G Major	1	9B	79 BPM
Masquerade Suite: Gallop	Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov	G Major	1	9B	104 BPM
La Sylphide: Act II: James and the Witch - The Scarf	Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth	E Major	1	12B	69 BPM
L'etoile du nord: Act III: Entr'acte	Giacomo Meyerbeer, Elizabeth Futral, Vladimir Ognev, Darina Takova, Aled Hall, Christopher Maltman, Juan Diego Flórez, Agnete Munk Rasmussen, Patrizia Cigna, Robert Lee, Fernand Bernadi, Luis Ledesma, Wexford Festival Opera Chorus, RTÉ National Symphony Orchestra, Vladimir Jurowski	G Major	0	9B	79 BPM
Cinderella, Op. 87: 16. Winter Fairy	Sergei Prokofiev, Russian National Orchestra, Mikhail Pletnev	C Major	1	8B	118 BPM
R. Strauss: Sinfonia Domestica, Op. 53, TrV 209: IV. Scherzo	Richard Strauss, Munich Philharmonic Orchestra, Zubin Mehta	D Major	1	10B	86 BPM
Carmen Suite No. 1: III. Intermezzo, Interlude before Act III	Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra	D Major	1	10B	134 BPM

ISRC: DKECA0703116
Label: L-M Records/RCA Records

Section: 0.7458038330078125

End: 0.7500295639038086