Hector Berlioz, Malcolm King, José van Dam, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti's 'La Damnation de Faust, Op. 24, H 111 / Pt. 2: Chanson de Brander. "Certain rat, dans une cuisine"' came out on May 3, 1982. The duration of La Damnation de Faust, Op. 24, H 111 / Pt. 2: Chanson de Brander. "Certain rat, dans une cuisine" is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. La Damnation de Faust, Op. 24, H 111 / Pt. 2: Chanson de Brander. "Certain rat, dans une cuisine"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 35 in Berlioz: La Damnation de Faust by Hector Berlioz, Sir Georg Solti, Kenneth Riegel, Frederica von Stade, José van Dam, Malcolm King, Chicago Symphony Chorus, Chicago Symphony Orchestra. La Damnation de Faust, Op. 24, H 111 / Pt. 2: Chanson de Brander. "Certain rat, dans une cuisine" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of La Damnation de Faust, Op. 24, H 111 / Pt. 2: Chanson de Brander. "Certain rat, dans une cuisine" by Hector Berlioz, Malcolm King, José van Dam, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Zauberflöte, K. 620: Overture | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Karl Böhm | E♭ Major | 1 | 5B | 80 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Symphony No. 1 in D Major, Op. 25: I. Allegro | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | F Major | 2 | 7B | 72 BPM | ||
Symphony No. 41 in C Major, K. 551 "Jupiter": 4. Molto allegro | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl Böhm | G Major | 2 | 9B | 141 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Pictures At An Exhibition: Samuel Goldenberg And Schmuyle | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | D♭ Major | 1 | 3B | 113 BPM | ||
Les nuits d'été, Op. 7: Au cimetiere: Clair de lune (At the Cemetery: Moonlight) | Hector Berlioz, Elsa Maurus, Orchestre National de Lille, Jean-Claude Casadesus | A Major | 1 | 11B | 86 BPM | ||
La Damnation de Faust, Op. 24, H. 111: Pt. IV, Scène XV - "Au son des trompettes" | Hector Berlioz, London Symphony Orchestra, Sir Simon Rattle, London Symphony Chorus, Karen Cargill | F Minor | 0 | 4A | 117 BPM |
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