Jan Sandström, Christian Lindberg, Roland Pöntinen's 'Song to Lotta: I' came out on May 9, 2023. With Song to Lotta: I being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Jan Sandström, Christian Lindberg, Símon Bolívar Symphony Orchestra, Roland Pöntinen's "Jan Sandström: A Composer´s Portrait" album is number 39 out of 51. On top of that, Sweden appears to be the country where this track was created. Song to Lotta: I is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Song to Lotta: I by Jan Sandström, Christian Lindberg, Roland Pöntinen to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Blue Bird, Op. 119 No. 3 | Charles Villiers Stanford, Simon Phipps, Swedish Chamber Choir | F♯ Major | 0 | 2B | 124 BPM | ||
To the Hands: No. 5. Litany of the Displaced | Caroline Shaw, The Crossing, International Contemporary Ensemble, Donald Nally | D Minor | 1 | 7A | 92 BPM | ||
Messe Solennelle, Op. 16 - Kyrie | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | D♭ Minor | 2 | 12A | 70 BPM | ||
Looduspildid No. 3 "Sügismaastikud": Looduspildid No. 3 "Sügismaastikud": VII. Kanarbik | Veljo Tormis, Allmänna Sången, Cecilia Rydinger Alin | A♭ Major | 1 | 4B | 168 BPM | ||
O Radiant Dawn | James MacMillan, Apollo5 | C Minor | 1 | 5A | 135 BPM | ||
Pingst | John Lindberg, Academy Chamber Choir of Uppsala, Stefan Parkman | D Minor | 1 | 7A | 115 BPM | ||
All-Night Vigil, Op. 37: Now lettest thou depart | Sergei Rachmaninoff, Victor Rumyantsev, State Symphony Capella of Russia, Valery Polyansky | B Major | 1 | 1B | 126 BPM | ||
Holy God (Sviatyï Boje) | Georgy Sviridov, Les Métaboles, Léo Warynski | E♭ Minor | 0 | 2A | 66 BPM | ||
The Armed Man (Ensemble Version): VIII. Angry Flames | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
Five Flower Songs, Op. 47: IV. The Evening Primrose | Benjamin Britten, Finzi Singers, Paul Spicer | D Minor | 1 | 7A | 131 BPM |
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