George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket made "Giulio Cesare / Act 3: Da tempeste il legno infranto" available on January 1, 2004. Giulio Cesare / Act 3: Da tempeste il legno infranto is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. There are a total of 17 in the song's album "Renée Fleming - Handel Arias". In this album, this song's track order is #11. Based on our statistics, Giulio Cesare / Act 3: Da tempeste il legno infranto's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Giulio Cesare / Act 3: Da tempeste il legno infranto by George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Juditha Triumphans, RV 644: Armatae face | Antonio Vivaldi, Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon | D♭ Major | 4 | 3B | 63 BPM | ||
Elijah, Op. 70, MWV A25 / Part 2: "But the Lord from the north hath raised one" | Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | G Major | 1 | 9B | 145 BPM | ||
Orfeo ed Euridice, Wq. 30, Act II, Scene 2: Symphonie - Arioso "Che puro ciel, che chiaro sol" (Orfeo) | Christoph Willibald Gluck, James Bowman, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire, Chœur De Chambre De Namur | B Minor | 2 | 10A | 89 BPM | ||
Orfeo ed Euridice: Act III, Scene 3, Coro, Orfeo, Amore ed Euridice: Trionfi Amore, e il mondo intiero | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Maria Cristina Kiehr, RIAS Kammerchor, Freiburger Barockorchester, Veronica Cangemi | F♯ Minor | 1 | 11A | 125 BPM | ||
Elijah, Op. 70, MWV A25 / Part 2: "For the mountains shall depart" | Felix Mendelssohn, Bryn Terfel, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | F Major | 0 | 7B | 81 BPM | ||
Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. N.2 Duettino Figaro, Susanna "Se a caso madama" | Wolfgang Amadeus Mozart, Concerto Köln, Lorenzo Regazzo, Patrizia Ciofi, René Jacobs | F Major | 1 | 7B | 128 BPM | ||
Elijah, Op. 70, MWV A25 / Part 1: "Lord God of Abraham, Isaac and Israel" | Felix Mendelssohn, Bryn Terfel, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | D♭ Minor | 1 | 12A | 94 BPM | ||
Il Trovatore / Act 3: "Di quella pira" | Giuseppe Verdi, Joseph Calleja, Angela Gheorghiu, Apollo Voices, Orquestra de la Comunitat Valenciana, Ramón Tebar | C Major | 4 | 8B | 80 BPM | ||
Concerto Grosso in G Major, Op. 6, No. 1, HWV 319: I. A tempo giusto | George Frideric Handel, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, David Reichenberg, Sophia McKenna, Jeremy Ward, Robert Woolley, The English Concert, Trevor Pinnock | C Major | 1 | 8B | 138 BPM | ||
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM |
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