Elijah, Op. 70, MWV A25 / Part 2: "For the mountains shall depart" - Felix Mendelssohn, Bryn Terfel, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel Information

Acousticness: 87%
Danceability: 21%
Energy: 3%
Instrumentalness: 2%
Liveness: 12%
Loudness: 44%
Speechiness: 5%
Valence: 4%
Popularity: 8%
Loudness: -33.782 dB

Summary

"Elijah, Op. 70, MWV A25 / Part 2: "For the mountains shall depart"" by Felix Mendelssohn, Bryn Terfel, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel was released on January 1, 1997. The duration of Elijah, Op. 70, MWV A25 / Part 2: "For the mountains shall depart" is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Elijah, Op. 70, MWV A25 / Part 2: "For the mountains shall depart"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, Bryn Terfel, Renée Fleming, Edinburgh Festival Chorus, Orchestra of the Age of Enlightenment, Paul Daniel's "Mendelssohn: Elijah" album is number 17 out of 44. On top of that, United Kingdom appears to be the country where this track was created. Elijah, Op. 70, MWV A25 / Part 2: "For the mountains shall depart" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Elijah, Op. 70, MWV A25 / Part 2: "For the mountains shall depart" BPM

We consider the tempo marking of Elijah, Op. 70, MWV A25 / Part 2: "For the mountains shall depart" by Felix Mendelssohn, Bryn Terfel, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Elijah, Op. 70, MWV A25 / Part 2: "For the mountains shall depart" Key

F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Hamlet: Hamlet, Act II: O vin, dissipe la tristesse	Ambroise Thomas, Dmitri Hvorostovsky, Andrey Azovsky, Dmitry Kuznetsov, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian	B♭ Major	3	6B	168 BPM
Missa In Angustiis "Nelson Mass", Hob. XXII:11 In D Minor: Agnus Dei: Dona nobis pacem	Franz Joseph Haydn, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir	E♭ Major	3	5B	112 BPM
Mass No. 2 in G Major, D. 167: IV. Sanctus	Franz Schubert, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper	A Major	3	11B	186 BPM
Orfeo ed Euridice: Act II, Scene 1, Orfeo: Mille pene, ombre moleste	Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor, Bernarda Fink	F Minor	0	4A	81 BPM
Stabat Mater, Op. 58: VIII. Fac, ut portem Christi mortem (Larghetto)	Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Ilse Eerens, Maximilian Schmitt	D Major	0	10B	130 BPM
Jenufa / Act 2: Co chvila ... co chvila	Leoš Janáček, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras	B Major	2	1B	77 BPM
Eugene Onegin, Op. 24, TH.5 / Act 2: Entr'acte and Waltz with Chorus. "Vot tak syurpriz!"	Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Neil Shicoff, Herve Hennequin, St.Petersburg Chamber Choir, Orchestre de Paris, Semyon Bychkov	D Major	2	10B	113 BPM
Strauss, R: 3 Lieder, Op. 88: No. 1, Das Bächlein (Version with Orchestra)	Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra	F Major	2	7B	92 BPM
Semele / Act 1: Endless pleasure...	George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket	E Major	2	12B	81 BPM
Missa Subtitulo S. Francisci Seraphici, "St. Francis Mass": Kyrie	Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling	D Major	2	10B	139 BPM

ISRC: GBF079643139
Label: L-M Records/RCA Records

Section: 0.7578256130218506

End: 0.7612936496734619