"Peer Gynt Suite No. 1, Op. 46: I. Morning Mood" by Edvard Grieg, Slovak State Philharmonic Orchestra, Kosice, Stephen Gunzenhauser was released on January 1, 1997. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists, Stephen Gunzenhauser, John Georgiadis, István Párkányi, Peter Breiner, Oliver von Dohnanyi, Jozef Kopelman, Richard Edlinger, Johannes Wildner, Ondrej Lenard, Jaroslav Krcek, András Ligeti, Barry Wordsworth, Kenneth Jean, Robert Stankovsky, Antoni Wit, Alfred Walter, Gerhard Markson, Adrian Leaper, Anthony Bramall, Keith Clark's "Lugna blå timmar – Harmonisk klassisk musik" album is number 15 out of 43. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Peer Gynt Suite No. 1, Op. 46: I. Morning Mood is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Peer Gynt Suite No. 1, Op. 46: I. Morning Mood by Edvard Grieg, Slovak State Philharmonic Orchestra, Kosice, Stephen Gunzenhauser to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes, Op. 28: No. 15 in D-Flat Major "Raindrop" | Frédéric Chopin, Evgeny Kissin | G Major | 2 | 9B | 101 BPM | ||
ダッタン人の踊り (歌劇 イーゴリ公より) 6 娘たちの流麗な踊り | Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | A Major | 2 | 11B | 176 BPM | ||
Symphony No 40: Molto Allegro | The Slovak Philharmonic Orchestra, Libor Pesek | G Minor | 1 | 6A | 88 BPM | ||
Vaughan Williams: The Lark Ascending: Opening (Excerpt) | Ralph Vaughan Williams, Sir Adrian Boult, New Philharmonia Orchestra | B Minor | 1 | 10A | 102 BPM | ||
Carmen Suite No.1: Prélude | Georges Bizet, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | D Minor | 4 | 7A | 125 BPM | ||
Prelude and Fugue in C Major, BWV 846: I. Prelude | Johann Sebastian Bach, Henrik Måwe | F♯ Major | 10 | 2B | 93 BPM | ||
Apres Une Reve | Gabriel Fauré, Nicola Benedetti | F Minor | 1 | 4A | 168 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Charlie Siem, Paul Goodwin | E Major | 1 | 12B | 95 BPM | ||
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
Waltz from Maskarade | Radio Orchestra Berlin | C Major | 5 | 8B | 97 BPM |
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