Orchestra Della Rai di Torino, Alfredo Simonetto, Coro's 'Oberto: Act I - 'Di vermiglia, amabil luce' (Coro)' came out on April 18, 2012. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi Historical Opera Edition, Vol. 1: Oberto, Giorno di Regno & Nabucco by Various Artists. The song's track number on the album is #2 out of 101 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Oberto: Act I - 'Di vermiglia, amabil luce' (Coro) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Oberto: Act I - 'Di vermiglia, amabil luce' (Coro) by Orchestra Della Rai di Torino, Alfredo Simonetto, Coro has a tempo of 102 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Oberto: Act I - 'Di vermiglia, amabil luce' (Coro) being at 102 BPM, the half-time would be 51 BPM with a double-time of 204 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Cavalleria rusticana: A casa, a casa | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | B♭ Major | 3 | 6B | 74 BPM | ||
Puccini: Suor Angelica: "I desideri sono i fiori dei vivi" (Suor Angelica, La sorella zelatrice, Suor Genovieffa, Chorus) | Giacomo Puccini, London Voices, London Symphony Orchestra, Tiffin School Boys' Choir, Antonio Pappano, Terry Edwards, Anna Maria Panzarella, Francesca Pedaci, Elena Zilio, Sara Fulgoni, Dorothea Rschmann, Judith Rees, Rachele Stanisci, Felicity Palmer, Deborah, Cristina Gallardo-Domas, Philharmonia Orchestra | C Minor | 1 | 5A | 121 BPM | ||
Lucia of Lammermoor, Part II. Act I Scene 2: Come here to me, Lucia (Enrico) | Gaetano Donizetti, David Parry, Philharmonia Orchestra, Alan Opie | E Major | 0 | 12B | 129 BPM | ||
Tosca / Act 1: "Tre sbirri... Una carozza... Presto" - Te Deum | Giacomo Puccini, Dietrich Fischer-Dieskau, Piero de Palma, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lorin Maazel | B♭ Major | 3 | 6B | 62 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Recitative and Arioso: Sous cette voute de feuillage ... (Under this foliage tent, Zelis ...) (Elzire, Don Sanche) | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
Don Carlo: Vierter Akt - Si, per sempre | Coro della RAI di Torino, Orchestra Della Rai di Torino | E Major | 3 | 12B | 100 BPM | ||
Verdi: La traviata, Act 3: "Ah! gran Dio! Morir sì giovine" (Violetta, Alfredo) | Giuseppe Verdi, Maria Callas, Francesco Albanese, Gabriele Santini, Orchestra Sinfonica della RAI | C Major | 3 | 8B | 115 BPM | ||
Fausto, Act IV: Stretta. A morte vergognosa! | Louise Bertin, Karine Deshayes, Les Talens Lyriques, Christophe Rousset | B Major | 5 | 1B | 98 BPM | ||
Hoffmanns Erzählungen - Oper in drei Akten, einem Vor- und einem Nachspiel (Gesamtaufnahme in deutscher Sprache), Vorspiel: Nr. 1 Chor: Aus dem Keller kommt hervor | Jacques Offenbach, Jules Barbier, Michel Carre, Pierre Barbier, Chor des Bayerischen Rundfunks/Münchner Rundfunkorchester/Heinz Wallberg, Heinz Wallberg, Muenchner Rundfunkorchester, Munich Radio Orchestra | F Major | 2 | 7B | 167 BPM | ||
Donizetti: Roberto Devereux: Donna reale, a' piedi tuoi... | Gaetano Donizetti, Leyla Gencer, Piero Cappuccilli, Anna Maria Rota, Ruggero Bondino, Gabriele De Julis, Sivano Pagliuca, Bruno Grella, Orchestra e Coro Del Teatro di San Carlo di Napoli | D Major | 2 | 10B | 175 BPM |
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