6 Trio Sonatas: VI. Sonata in Re Maggiore: II. Adagio
Niccolò Jommelli, Claudio Ferrarini, Fabio Rastelli, Francesco Tasini, Accademia Farnese
Niccolò Jommelli: Sei Trio Sonate per flauto traverso, oboe e cembalo
1:39 September 17, 2021
BPM
47
Key
G Major
Camelot
9B

Embed

Share Link

6 Trio Sonatas: VI. Sonata in Re Maggiore: II. Adagio - Niccolò Jommelli, Claudio Ferrarini, Fabio Rastelli, Francesco Tasini, Accademia Farnese Information

Acousticness
99%
Danceability
36%
Energy
21%
Instrumentalness
89%
Liveness
5%
Loudness
78%
Speechiness
3%
Valence
31%
Popularity
Loudness
-13.371 dB

Summary

Niccolò Jommelli, Claudio Ferrarini, Fabio Rastelli, Francesco Tasini, Accademia Farnese's '6 Trio Sonatas: VI. Sonata in Re Maggiore: II. Adagio' came out on September 17, 2021. With 6 Trio Sonatas: VI. Sonata in Re Maggiore: II. Adagio being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Niccolò Jommelli: Sei Trio Sonate per flauto traverso, oboe e cembalo". In this album, this song's track order is #17. 6 Trio Sonatas: VI. Sonata in Re Maggiore: II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

6 Trio Sonatas: VI. Sonata in Re Maggiore: II. Adagio BPM

With 6 Trio Sonatas: VI. Sonata in Re Maggiore: II. Adagio by Niccolò Jommelli, Claudio Ferrarini, Fabio Rastelli, Francesco Tasini, Accademia Farnese having a BPM of 47 with a half-time of 24 BPM and a double-time of 94 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

6 Trio Sonatas: VI. Sonata in Re Maggiore: II. Adagio Key

This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Requiem, Responsorium: I. Libera me by Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo VistoliRequiem, Responsorium: I. Libera meNiccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo VistoliC Minor05A84 BPM
Cavatina da capo: Se d'un Dio fui fatta Madre by Giovanni Battista Ferrandini, Il Giardino Armonico, Giovanni Antonini, Bernarda FinkCavatina da capo: Se d'un Dio fui fatta MadreGiovanni Battista Ferrandini, Il Giardino Armonico, Giovanni Antonini, Bernarda FinkB Minor110A69 BPM
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 1. Lux aeterna luceat eis Domine by Niccolò Jommelli, Il Gardellino, Peter Van HeyghenMissa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 1. Lux aeterna luceat eis DomineNiccolò Jommelli, Il Gardellino, Peter Van HeyghenC Minor15A82 BPM
Then Svenska Messan, HRV 404: Herre förbarma tig öfver oss by Johan Helmich Roman, Göteborg Baroque, Magnus KjellsonThen Svenska Messan, HRV 404: Herre förbarma tig öfver ossJohan Helmich Roman, Göteborg Baroque, Magnus KjellsonA Minor18A87 BPM
Tilge, Höchster, meine Sünden, BWV 1083 (After Pergolesi's Stabat Mater): Missetaten, die mich drucken (Soprano, Alto) by Johann Sebastian Bach, Céline Scheen, Damien Guillon, Le Banquet CélesteTilge, Höchster, meine Sünden, BWV 1083 (After Pergolesi's Stabat Mater): Missetaten, die mich drucken (Soprano, Alto)Johann Sebastian Bach, Céline Scheen, Damien Guillon, Le Banquet CélesteF♯ Minor111A114 BPM
Missa solemnis in D major, Op. 123: III. Credo: Amen. Grave by Ludwig van Beethoven, Jordi Savall, Le Concert Des NationsMissa solemnis in D major, Op. 123: III. Credo: Amen. GraveLudwig van Beethoven, Jordi Savall, Le Concert Des NationsD Major110B74 BPM
Missa Sancti Pauli: No. 5, Et in terra pax by Francesco Bartolomeo Conti, Purcell Choir, Orfeo Orchestra, Gyorgy VashegyiMissa Sancti Pauli: No. 5, Et in terra paxFrancesco Bartolomeo Conti, Purcell Choir, Orfeo Orchestra, Gyorgy VashegyiG Major39B120 BPM
Misa a Buenos Aires Misa a Buenos Aires "Misatango": Agnus DeiMartÍn Palmeri, Annekathrin Laabs, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias JungC Major18B82 BPM
Salomone amante: Partite dolori (Duetto) by Giovanni Paolo Colonna, Núria Rial, Valer SabadusSalomone amante: Partite dolori (Duetto)Giovanni Paolo Colonna, Núria Rial, Valer SabadusF♯ Minor011A60 BPM
Was ist das Herz? Ein finst'rer Ort, TWV 1:1516: No. 2, Erleuchte mich, o segenvolles Licht by Georg Philipp Telemann, Bergen BarokkWas ist das Herz? Ein finst'rer Ort, TWV 1:1516: No. 2, Erleuchte mich, o segenvolles LichtGeorg Philipp Telemann, Bergen BarokkF♯ Minor211A115 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5860016345977783

End: 0.5899629592895508