Niccolò Jommelli, Claudio Ferrarini, Fabio Rastelli, Francesco Tasini, Accademia Farnese's '6 Trio Sonatas: VI. Sonata in Re Maggiore: II. Adagio' came out on September 17, 2021. With 6 Trio Sonatas: VI. Sonata in Re Maggiore: II. Adagio being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Niccolò Jommelli: Sei Trio Sonate per flauto traverso, oboe e cembalo". In this album, this song's track order is #17. 6 Trio Sonatas: VI. Sonata in Re Maggiore: II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Trio Sonatas: VI. Sonata in Re Maggiore: II. Adagio by Niccolò Jommelli, Claudio Ferrarini, Fabio Rastelli, Francesco Tasini, Accademia Farnese having a BPM of 47 with a half-time of 24 BPM and a double-time of 94 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Responsorium: I. Libera me | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli | C Minor | 0 | 5A | 84 BPM | ||
Cavatina da capo: Se d'un Dio fui fatta Madre | Giovanni Battista Ferrandini, Il Giardino Armonico, Giovanni Antonini, Bernarda Fink | B Minor | 1 | 10A | 69 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 1. Lux aeterna luceat eis Domine | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | C Minor | 1 | 5A | 82 BPM | ||
Then Svenska Messan, HRV 404: Herre förbarma tig öfver oss | Johan Helmich Roman, Göteborg Baroque, Magnus Kjellson | A Minor | 1 | 8A | 87 BPM | ||
Tilge, Höchster, meine Sünden, BWV 1083 (After Pergolesi's Stabat Mater): Missetaten, die mich drucken (Soprano, Alto) | Johann Sebastian Bach, Céline Scheen, Damien Guillon, Le Banquet Céleste | F♯ Minor | 1 | 11A | 114 BPM | ||
Missa solemnis in D major, Op. 123: III. Credo: Amen. Grave | Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations | D Major | 1 | 10B | 74 BPM | ||
Missa Sancti Pauli: No. 5, Et in terra pax | Francesco Bartolomeo Conti, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | G Major | 3 | 9B | 120 BPM | ||
Misa a Buenos Aires "Misatango": Agnus Dei | MartÍn Palmeri, Annekathrin Laabs, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung | C Major | 1 | 8B | 82 BPM | ||
Salomone amante: Partite dolori (Duetto) | Giovanni Paolo Colonna, Núria Rial, Valer Sabadus | F♯ Minor | 0 | 11A | 60 BPM | ||
Was ist das Herz? Ein finst'rer Ort, TWV 1:1516: No. 2, Erleuchte mich, o segenvolles Licht | Georg Philipp Telemann, Bergen Barokk | F♯ Minor | 2 | 11A | 115 BPM |
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