"Carmina Burana / III. Cour d'amours: "Circa mea pectora" - Live from the Forbidden City" by Carl Orff, Ludovic Tezier, Wiener Singakademie, Heinz Ferlesch, Shanghai Symphony Orchestra, Long Yu was released on January 18, 2019. The duration of Carmina Burana / III. Cour d'amours: "Circa mea pectora" - Live from the Forbidden City is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Carmina Burana / III. Cour d'amours: "Circa mea pectora" - Live from the Forbidden City's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Orff: Carmina Burana (Live from the Forbidden City)". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Germany. In terms of popularity, Carmina Burana / III. Cour d'amours: "Circa mea pectora" - Live from the Forbidden City is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana / III. Cour d'amours: "Circa mea pectora" - Live from the Forbidden City by Carl Orff, Ludovic Tezier, Wiener Singakademie, Heinz Ferlesch, Shanghai Symphony Orchestra, Long Yu having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Acht Stücke für Zwei Violinen | Carl Orff, Sonja Korkeala, Carolin Widmann, Karl Peinkofer, Andreas Schumacher, Markus Zahnhausen, Wilfried Hiller, Martin Ruhland, Godela Orff, Max Frey | A Minor | 1 | 8A | 153 BPM | ||
Funeral Sentences for the death of Queen Mary II: The Queen's Funeral March (Procession) | Henry Purcell, Baroque Brass Of London, David Hill | B♭ Minor | 2 | 3A | 85 BPM | ||
La Traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | B♭ Major | 2 | 6B | 113 BPM | ||
Carmina Burana / Uf dem Anger: Dance | Carl Orff, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 2 | 7B | 139 BPM | ||
Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | C Major | 1 | 8B | 67 BPM | ||
Le Carnaval des Animaux, R. 125: Akvarium | Camille Saint-Saëns, Pittsburgh Symphony Orchestra, André Previn | A Minor | 0 | 8A | 82 BPM | ||
The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): I. Allegro non moto | Karoly Botvay | G Minor | 1 | 6A | 132 BPM | ||
Handel: Keyboard Suite in G Minor, HWV 432: VI. Passacaille | George Frideric Handel, Itzhak Perlman | G Minor | 2 | 6A | 109 BPM | ||
Carmina Burana: Ave formosissima | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | E Minor | 2 | 9A | 89 BPM | ||
Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm | E♭ Major | 1 | 5B | 88 BPM |
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