Carmina Burana / III. Cour d'amours: "Circa mea pectora" - Live from the Forbidden City
Carl Orff, Ludovic Tezier, Wiener Singakademie, Heinz Ferlesch, Shanghai Symphony Orchestra, Long Yu
Orff: Carmina Burana (Live from the Forbidden City)
2:01 January 18, 2019
BPM
102
Key
B♭ Major
Camelot
6B

Embed

Share Link

Carmina Burana / III. Cour d'amours: "Circa mea pectora" - Live from the Forbidden City - Carl Orff, Ludovic Tezier, Wiener Singakademie, Heinz Ferlesch, Shanghai Symphony Orchestra, Long Yu Information

Acousticness
99%
Danceability
21%
Energy
14%
Instrumentalness
81%
Liveness
11%
Loudness
69%
Speechiness
5%
Valence
12%
Popularity
Loudness
-18.84 dB

Summary

"Carmina Burana / III. Cour d'amours: "Circa mea pectora" - Live from the Forbidden City" by Carl Orff, Ludovic Tezier, Wiener Singakademie, Heinz Ferlesch, Shanghai Symphony Orchestra, Long Yu was released on January 18, 2019. The duration of Carmina Burana / III. Cour d'amours: "Circa mea pectora" - Live from the Forbidden City is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Carmina Burana / III. Cour d'amours: "Circa mea pectora" - Live from the Forbidden City's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Orff: Carmina Burana (Live from the Forbidden City)". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Germany. In terms of popularity, Carmina Burana / III. Cour d'amours: "Circa mea pectora" - Live from the Forbidden City is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Carmina Burana / III. Cour d'amours: "Circa mea pectora" - Live from the Forbidden City BPM

With Carmina Burana / III. Cour d'amours: "Circa mea pectora" - Live from the Forbidden City by Carl Orff, Ludovic Tezier, Wiener Singakademie, Heinz Ferlesch, Shanghai Symphony Orchestra, Long Yu having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Carmina Burana / III. Cour d'amours: "Circa mea pectora" - Live from the Forbidden City Key

B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Acht Stücke für Zwei Violinen by Carl Orff, Sonja Korkeala, Carolin Widmann, Karl Peinkofer, Andreas Schumacher, Markus Zahnhausen, Wilfried Hiller, Martin Ruhland, Godela Orff, Max FreyAcht Stücke für Zwei ViolinenCarl Orff, Sonja Korkeala, Carolin Widmann, Karl Peinkofer, Andreas Schumacher, Markus Zahnhausen, Wilfried Hiller, Martin Ruhland, Godela Orff, Max FreyA Minor18A153 BPM
Funeral Sentences for the death of Queen Mary II: The Queen's Funeral March (Procession) by Henry Purcell, Baroque Brass Of London, David HillFuneral Sentences for the death of Queen Mary II: The Queen's Funeral March (Procession)Henry Purcell, Baroque Brass Of London, David HillB♭ Minor23A85 BPM
La Traviata / Act 1: Libiamo ne'lieti calici by Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos KleiberLa Traviata / Act 1: Libiamo ne'lieti caliciGiuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos KleiberB♭ Major26B113 BPM
Carmina Burana / Uf dem Anger: Dance by Carl Orff, Orchester der Deutschen Oper Berlin, Eugen JochumCarmina Burana / Uf dem Anger: DanceCarl Orff, Orchester der Deutschen Oper Berlin, Eugen JochumF Major27B139 BPM
Brook Green Suite, H. 190: I. Prelude. Allegretto by Gustav Holst, Richard Hickox, City of London SinfoniaBrook Green Suite, H. 190: I. Prelude. AllegrettoGustav Holst, Richard Hickox, City of London SinfoniaC Major18B67 BPM
Le Carnaval des Animaux, R. 125: Akvarium by Camille Saint-Saëns, Pittsburgh Symphony Orchestra, André PrevinLe Carnaval des Animaux, R. 125: AkvariumCamille Saint-Saëns, Pittsburgh Symphony Orchestra, André PrevinA Minor08A82 BPM
The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): I. Allegro non motoKaroly BotvayG Minor16A132 BPM
Handel: Keyboard Suite in G Minor, HWV 432: VI. Passacaille by George Frideric Handel, Itzhak PerlmanHandel: Keyboard Suite in G Minor, HWV 432: VI. PassacailleGeorge Frideric Handel, Itzhak PerlmanG Minor26A109 BPM
Carmina Burana: Ave formosissima by Carl Orff, Cleveland Orchestra, Michael Tilson ThomasCarmina Burana: Ave formosissimaCarl Orff, Cleveland Orchestra, Michael Tilson ThomasE Minor29A89 BPM
Handel: Giulio Cesare in Egitto, HWV 17, Act III: Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra)George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle HaïmE♭ Major15B88 BPM
ISRC
DEN961830868
Label
L-M Records/RCA Records

Section: 0.7320046424865723

End: 0.7351162433624268