"Johannes-Passion, BWV 245: No. 34, Mein Herz, in dem die ganze Welt" by Johann Sebastian Bach, Münchener Bach-Orchester, Ernst Haefliger, Karl Richter had its release date on November 1, 2019. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Johann Sebastian Bach, Karl Richter, Münchener Bach-Orchester's "J.S. Bach: Johannes-Passion, BWV 245" album is number 8 out of 24. On top of that, Italy appears to be the country where this track was created. Johannes-Passion, BWV 245: No. 34, Mein Herz, in dem die ganze Welt is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Johannes-Passion, BWV 245: No. 34, Mein Herz, in dem die ganze Welt by Johann Sebastian Bach, Münchener Bach-Orchester, Ernst Haefliger, Karl Richter to be Lento (slowly) because the track has a tempo of 58 BPM, a half-time of 29BPM, and a double-time of 116 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) | Camille Saint-Saëns, Yo-Yo Ma, Kathryn Stott | G Major | 0 | 9B | 66 BPM | ||
Sarabande Variations (from Suite in D Minor, HWV 437): Variation VIII | George Frideric Handel, Martin Stadtfeld | D♭ Major | 0 | 3B | 74 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Concerto for two Pianos (Harpsichords) and Orchestra in C Minor, BWV 1060: I. Allegro - Live | Johann Sebastian Bach, Anthony Paratore, Joseph Paratore, Bach Collegium München, Russell Gloyd | A Minor | 3 | 8A | 111 BPM |