"Strathclyde Motets: Benedicimus Deum caeli" by James MacMillan, Harry Christophers, The Sixteen was released on October 31, 2011. The duration of Strathclyde Motets: Benedicimus Deum caeli is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Strathclyde Motets: Benedicimus Deum caeli's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in James MacMillan, The Sixteen, Harry Christophers's "James MacMillan: Miserere" album is number 10 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Strathclyde Motets: Benedicimus Deum caeli's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Strathclyde Motets: Benedicimus Deum caeli by James MacMillan, Harry Christophers, The Sixteen to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christ Our Passover | University of King's College Chapel Choir, Paul Halley | C Minor | 2 | 5A | 105 BPM | ||
Requiem for counter-tenor, choir & organ: II. Dies Irae - III. Tuba mirum | George Lloyd, Jeffrey Makinson, The Exon Singers, Matthew Owens | D♭ Major | 2 | 3B | 86 BPM | ||
The Gallant Weaver | James MacMillan, BBC Philharmonic Orchestra, Margaret Feaviour, Micaela Haslam, Amanda Morrison, BBC Singers | A Major | 0 | 11B | 129 BPM | ||
Son of God Mass: Amen | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | C Major | 2 | 8B | 88 BPM | ||
Liturgical Chants: 4 Spiritual Songs: Cherubic Song | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 80 BPM | ||
Psalm 130: Ich Harre auf den Herren | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | B♭ Major | 1 | 6B | 92 BPM | ||
Serenade of the Celestials | LeoRoads | E Major | 1 | 12B | 117 BPM | ||
Five Hebrew Love Songs: Temuná (A Picture) | Eric Whitacre, Eric Whitacre Singers | G Major | 0 | 9B | 73 BPM | ||
Holy God (Sviatyï Boje) | Georgy Sviridov, Les Métaboles, Léo Warynski | E♭ Minor | 0 | 2A | 66 BPM | ||
O Schöne Nacht, Op. 92, No. 1 | Johannes Brahms, BYU Concert Choir, Brent Wells, Lindsay Bastian, Ethan Simpson, Blake Wayment, Bekah Johnson, Alex Palmer | A Major | 4 | 11B | 111 BPM |
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