"The Gallant Weaver" by James MacMillan, BBC Philharmonic Orchestra, Margaret Feaviour, Micaela Haslam, Amanda Morrison, BBC Singers was released on August 1, 2002. Since The Gallant Weaver is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in James MacMillan, BBC Philharmonic Orchestra, Jonathan Scott, BBC Singers's "MacMillan: The Birds of Rhiannon, Exsultet, Magnificat and Nunc dimittis, Màiri & The Gallant Weaver" album is number 5 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, The Gallant Weaver's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Gallant Weaver by James MacMillan, BBC Philharmonic Orchestra, Margaret Feaviour, Micaela Haslam, Amanda Morrison, BBC Singers to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas | Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM | ||
Harmony of Angels | LeoRoads | E Minor | 2 | 9A | 130 BPM | ||
Burial Sentences: I. I Am The Resurrection | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | D Minor | 1 | 7A | 75 BPM | ||
Vespers, Op. 37: Blessed Be the Man | Sergei Rachmaninoff, Yuri Korinnyk, Mykhaylo Tyshchenko, Olga Borusene, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | A♭ Minor | 2 | 1A | 129 BPM | ||
Suite on English Folk Tunes: "A Time There Was", Op. 90: IV. Hunt the squirrel | Benjamin Britten, Britten Sinfonia, James MacMillan | B Minor | 2 | 10A | 138 BPM | ||
All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 1, Bless My Soul, O Lord | Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Klava | G Major | 1 | 9B | 78 BPM | ||
Entreat Me Not to Leave You | Dan Forrest, Westminster Williamson Voices, James Jordan | B♭ Minor | 1 | 3A | 104 BPM | ||
Requiem canticorum: Alleluia | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 0 | 7B | 63 BPM | ||
Thou Knowest, Lord, The Secrets Of Our Hearts (Z.58c) | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | E♭ Major | 1 | 5B | 130 BPM | ||
HFTEPX | KNOXVILLETRACKZ | D Minor | 0 | 7A | 65 BPM |
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