"Rowland (Lord Willoughby's Welcome Home) [Arr. for chromatic kannel by Anna-Liisa Eller]" by William Byrd, Anna-Liisa Eller was released on August 20, 2021. The duration of Rowland (Lord Willoughby's Welcome Home) [Arr. for chromatic kannel by Anna-Liisa Eller] is about 3 minutes long, at 3:07. Based on our data, "Rowland (Lord Willoughby's Welcome Home) [Arr. for chromatic kannel by Anna-Liisa Eller]" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Strings Attached: The Voice of Kannel". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. Rowland (Lord Willoughby's Welcome Home) [Arr. for chromatic kannel by Anna-Liisa Eller] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rowland (Lord Willoughby's Welcome Home) [Arr. for chromatic kannel by Anna-Liisa Eller] by William Byrd, Anna-Liisa Eller having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Sacred Songs: No. 2, Ave Maria | Valentin Silvestrov, Agate Burkina, Rūdolfs Bērtiņš, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 79 BPM | ||
Trois chansons de Charles d'Orleans L. 92: I. Dieu! qu'il la fait bon regarder | Claude Debussy, Netherlands Chamber Choir | A♭ Minor | 1 | 1A | 78 BPM | ||
Myn hert altyt heeft verlanghen I | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 96 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
Quatre petites prières de Saint François d’ Assise: III. Seigneur, je vous en prie | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | ||
Maddalena Casulana : O notte o ciel o mar | Maddalena Casulana, Ensemble Laus Concentus, Silvia Piccolo, Massimo Lonardi, Maurizio Piantelli | C Major | 0 | 8B | 84 BPM | ||
Cantate Domino, SV 293 | Claudio Monteverdi, Le Concert Spirituel, Herve Niquet | F Major | 2 | 7B | 88 BPM | ||
Oculi omnium | Charles Wood, Choir of Gonville & Caius College, Cambridge, Geoffrey Webber | E Major | 1 | 12B | 76 BPM | ||
A Ground, BK9 | William Byrd, Pieter-Jan Belder | E Major | 2 | 12B | 101 BPM |
Section: 0.6374444961547852
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