Maddalena Casulana, Ensemble Laus Concentus, Silvia Piccolo, Massimo Lonardi, Maurizio Piantelli's 'Maddalena Casulana : O notte o ciel o mar' came out on May 11, 1998. With Maddalena Casulana : O notte o ciel o mar being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "I canti di Euterpe : Composizioni femminili (XVI - XVII secolo)" album is number 7 out of 20. On top of that, Italy appears to be the country where this track was created. Maddalena Casulana : O notte o ciel o mar is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Maddalena Casulana : O notte o ciel o mar by Maddalena Casulana, Ensemble Laus Concentus, Silvia Piccolo, Massimo Lonardi, Maurizio Piantelli to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
De tous biens plaine | Alexander Agricola, Currende Consort | D Major | 1 | 10B | 185 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Mass For Four Voices: 5. Agnus Dei | Thomas Tallis, The Hilliard Ensemble | E Major | 1 | 12B | 64 BPM | ||
Canzonets to Three Voyces: XI. O Fly Not | Thomas Morley, Josh Lee | B Major | 1 | 1B | 105 BPM | ||
Je me complains piteusement | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Major | 0 | 11B | 75 BPM | ||
Dufay: Vergine bella | Guillaume Dufay, David Munrow | A Minor | 1 | 8A | 174 BPM | ||
Perfidissimo cor, RV 674: No. 3, Recitativo: Così dunque tradisci | Antonio Vivaldi, Ero Maria Barbero, Massimo Lonardi, Maurizio Piantelli, Marco Vitali, Caterina Calvi | D♭ Minor | 1 | 12A | 141 BPM | ||
Tota pulchra es amica mea, F 11.15 - a 2 canto e tenore | Girolamo Frescobaldi, Lorenzo Ghielmi | C Minor | 1 | 5A | 0 BPM | ||
The Dancing Master: Greensleeves | John Playford, The Broadside Band, Jeremy Barlow | F Major | 0 | 7B | 182 BPM | ||
Danserye: Basse danse: No. 1. Dont vient cela – Reprise – Dont vient cela | László Czidra, Tylman Susato, Camerata Hungarica | D Minor | 1 | 7A | 101 BPM |
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