"Sonata No. 2 for Horn and Piano: III. Scherzo fantastico" by David Jolley, David Oei, Alan Kay, Sam Pilafian was released on August 22, 2008. The duration of Sonata No. 2 for Horn and Piano: III. Scherzo fantastico is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Sonata No. 2 for Horn and Piano: III. Scherzo fantastico's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 20 in Alec Wilder: Music for Horn by Various Artists. Based on our statistics, Sonata No. 2 for Horn and Piano: III. Scherzo fantastico's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sonata No. 2 for Horn and Piano: III. Scherzo fantastico by David Jolley, David Oei, Alan Kay, Sam Pilafian is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for Strings in E Major, Op. 22, B. 52: V. Finale. Allegro vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | E Major | 1 | 12B | 81 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
A command Performance for the King Of Tonga | John R. Beck, David Jolley | C Major | 1 | 8B | 100 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, David Zinman | C Major | 0 | 8B | 73 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Violin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: III. Allegro assai | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz | E♭ Major | 3 | 5B | 99 BPM | ||
Bassoon Concerto in F Major, Op. 75, J. 127: I. Allegro ma non troppo | Carl Maria von Weber, Matthias Rácz, North West German Philharmonic Orchestra, Johannes Klumpp | F Major | 1 | 7B | 123 BPM | ||
Wind Quintet, Op. 43, FS 100: III. Praeludium: Adagio | Carl Nielsen, Ransom Wilson, Allan Vogel, David Shifrin, David Jolley, Julie Feves | B♭ Major | 2 | 6B | 157 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM |
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