Eugène Ysaÿe, Gil Shaham, Jonathan Feldman made "Sonata No.2 in A minor for solo violin, Op.27, No.2: Obsession" available on May 16, 2020. The duration of Sonata No.2 in A minor for solo violin, Op.27, No.2: Obsession is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Sonata No.2 in A minor for solo violin, Op.27, No.2: Obsession's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 96 in the song's album "Romantic Vol.2". In this album, this song's track order is #29. Based on our statistics, Sonata No.2 in A minor for solo violin, Op.27, No.2: Obsession's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Sonata No.2 in A minor for solo violin, Op.27, No.2: Obsession by Eugène Ysaÿe, Gil Shaham, Jonathan Feldman having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Polyphonic Studies: No. 6, Concert Variations on the Irish Air "The Last Rose of Summer" | Heinrich Wilhelm Ernst, Maxim Vengerov | G Major | 1 | 9B | 100 BPM | ||
Orpheus' Lament & Dance of the Blessed Spirits (Arr. Kempff) | Christoph Willibald Gluck, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
6 Melodies, Op. 4 - 6 melodies, Op. 5: Allegretto | Fanny Mendelssohn, Beatrice Rauchs | D♭ Minor | 0 | 12A | 140 BPM | ||
Violin Concerto No. 2 In G Minor, Op. 63: 1. Allegro moderato | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Minor | 1 | 6A | 65 BPM | ||
Violin Concerto: Fly Forward | Jennifer Higdon, Hilary Hahn, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A Minor | 3 | 8A | 139 BPM | ||
Violin Sonata No. 6 in G Minor, Op. 103: II. Andante sostenuto | Robert Fuchs, Hyejin Chung, Warren Lee | E♭ Major | 1 | 5B | 86 BPM | ||
Debussy: Première rapsodie in B-Flat Major, CD 124, L. 116 (Orchestral Version) | Claude Debussy, Sabine Meyer, Berliner Philharmoniker, Claudio Abbado | F♯ Major | 0 | 2B | 113 BPM | ||
Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM | ||
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": II. Andante | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | D Major | 1 | 10B | 129 BPM | ||
Sonata No. 5 in G Major, Op. 27: II. Danse rustique - Dedicated to Mathieu Crickboom | Eugène Ysaÿe, Reina Shibutani | G Major | 2 | 9B | 124 BPM |
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