"Cuentos de las juventud, DLR IV:2: The Orphan Girl" by Enrique Granados, Douglas Riva was released on March 4, 2001. The duration of Cuentos de las juventud, DLR IV:2: The Orphan Girl is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Cuentos de las juventud, DLR IV:2: The Orphan Girl's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Enrique Granados, Douglas Riva's "Granados, E.: Piano Music, Vol. 4 - Romantic Waltzes / Poetic Waltzes / Aragonese Rhapsody" album is number 21 out of 39. On top of that, Hong Kong appears to be the country where this track was created. Cuentos de las juventud, DLR IV:2: The Orphan Girl is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cuentos de las juventud, DLR IV:2: The Orphan Girl by Enrique Granados, Douglas Riva to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
Toccata in G Minor (Arr. E. Netzer for Harp) | Alessandro Scarlatti, Elisa Netzer | C Minor | 1 | 5A | 100 BPM | ||
Pavane pour une infante défunte, M. 19 | Maurice Ravel, Anna Vinnitskaya | E Minor | 0 | 9A | 67 BPM | ||
Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano) | Claude Debussy, Lisa Batiashvili, Yannick Nézet-Séguin | F Minor | 1 | 4A | 79 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
16 Waltzes, Op. 39: 15. Waltz in A Flat | Johannes Brahms, Nelson Freire | A♭ Major | 0 | 4B | 72 BPM | ||
Berceuse, Op. 16 (Arr. by Bergström) | Gabriel Fauré, Jian Wang, Göran Söllscher | D Major | 0 | 10B | 95 BPM | ||
Keyboard Sonata in D Minor, K.32/L.423/P.14 (arr. Kyuhee Park for guitar) | Domenico Scarlatti, Kyuhee Park | E Minor | 0 | 9A | 137 BPM | ||
Danzas Españolas, Op. 37: XII. Bolero. Andante | Enrique Granados, Alicia de Larrocha | D Minor | 0 | 7A | 80 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM |
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