"6 Israeli Melodies (arr. J. Stutschewsky): Kinnereth (tune by Ganinah Karchevsky, arr. Stutschewsky)" by Joachim Stutschewsky, Steven Isserlis, Stephen Hough was released on April 1, 2006. The duration of 6 Israeli Melodies (arr. J. Stutschewsky): Kinnereth (tune by Ganinah Karchevsky, arr. Stutschewsky) is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. 6 Israeli Melodies (arr. J. Stutschewsky): Kinnereth (tune by Ganinah Karchevsky, arr. Stutschewsky)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 30 in Children's Cello by Steven Isserlis. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. 6 Israeli Melodies (arr. J. Stutschewsky): Kinnereth (tune by Ganinah Karchevsky, arr. Stutschewsky) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 6 Israeli Melodies (arr. J. Stutschewsky): Kinnereth (tune by Ganinah Karchevsky, arr. Stutschewsky) by Joachim Stutschewsky, Steven Isserlis, Stephen Hough is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Pezzi, P. 31: No. 1, Berceuse | Ottorino Respighi, Rachel Barton Pine, Matthew Hagle | C Major | 1 | 8B | 102 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Concerto for two violins BWV 1043 in D Minor: Concerto for two violins BWV 1043 in D Minor: II. Largo ma non tanto | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Petra Mullejans | E Major | 1 | 12B | 84 BPM | ||
Hassidic Suite: III. Nuts and Wine | Joachim Stutschewsky, Aron Zelkowicz, Luz Manríquez | G Major | 1 | 9B | 91 BPM | ||
O Retorno | Natália Roschel, João Marcondes, Sonoras | A Minor | 1 | 8A | 176 BPM | ||
來自依帕內瑪的女孩 | 最好的時光三重奏 | D Minor | 3 | 7A | 82 BPM | ||
Concerto for Cello and Wind Orchestra: II. Idylle | Friedrich Gulda, Ernst Simon Glaser, Norwegian Navy Band Bergen, Peter Szilvay | A Minor | 0 | 8A | 82 BPM | ||
Harpsichord Concerto in F Minor, BWV 1056: II. Largo | Yoko Ara, Takehiko Yamada | F Major | 0 | 7B | 91 BPM | ||
Suite for Three Cellos: II. Molto lento | Ferdinand Thieriot, Hamburg Chamber Players | D Minor | 1 | 7A | 105 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM |
Section: 0.6410360336303711
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