"Hassidic Suite: III. Nuts and Wine" by Joachim Stutschewsky, Aron Zelkowicz, Luz Manríquez was released on April 1, 2016. With Hassidic Suite: III. Nuts and Wine being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Stutschewsky: Chamber Music". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Hassidic Suite: III. Nuts and Wine is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hassidic Suite: III. Nuts and Wine by Joachim Stutschewsky, Aron Zelkowicz, Luz Manríquez having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Winterreise, Op. 89, D. 911 (Arr. for Horn, Cello & Piano by Timothy Jones): No. 13, Die Post | Franz Schubert, Josephine Knight, Simon Crawford-Phillips, Timothy Jones | E Major | 0 | 12B | 115 BPM | ||
4 Romantic Pieces, Op. 75: No. 4, Larghetto | Antonín Dvořák, Anthony Marwood, Susan Tomes | F Major | 1 | 7B | 141 BPM | ||
8 Pieces, Op. 83: III. Andante con moto – Andante | Max Bruch, Philon Trio | F♯ Minor | 0 | 11A | 63 BPM | ||
Oriental | Pattapio Silva, Guilherme Andreas, Gianne Ge Zhu | D Minor | 2 | 7A | 74 BPM | ||
Glazunov: Meditation, Op. 32 | Su Shien-Ta, Yu Tsui-Ling | A Minor | 0 | 8A | 76 BPM | ||
Passacaglia (Version for Cello & Piano) | Rebecca Clarke, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
4 Pieces for Cello & Piano, Op. 78: No. 2, Romance | Jean Sibelius, Duo Arnicans | F Major | 0 | 7B | 94 BPM | ||
6 Studien in kanonischer Form, Op. 56: III. Andantino | Robert Schumann, Theodor Kirchner, Trio Karénine | E Minor | 0 | 9A | 170 BPM | ||
Sapphische Ode | Johannes Brahms, Jungin Huh | D Major | 1 | 10B | 74 BPM | ||
Sonata For Violin and Violoncello: Allegro | Maurice Ravel, Nash Ensemble, Marcia Crayford, Christopher van Kampen | A Minor | 1 | 8A | 125 BPM |
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