"Christe Qui Lux Es Et Dies: II. —" by Robert White, The Choir of Trinity College, Melbourne, Christopher Watson was released on July 30, 2019. With this song being about 5 minutes long, at 4:31, "Christe Qui Lux Es Et Dies: II. —" by Robert White, The Choir of Trinity College, Melbourne, Christopher Watson is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in The Choir of Trinity College, Melbourne, Christopher Watson's "Land of Dreams" album is number 4 out of 14. On top of that, United States appears to be the country where this track was created. Christe Qui Lux Es Et Dies: II. — is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Christe Qui Lux Es Et Dies: II. — by Robert White, The Choir of Trinity College, Melbourne, Christopher Watson to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite messe solennelle: II. Kyrie. Christe eleison | Gioachino Rossini, Giulio Prandi, Coro Ghislieri | A Minor | 0 | 8A | 172 BPM | ||
Cornysh (The Younger): Ah, Robin - 3. I cannot think | William Cornysh (The Younger), Peter Phillips, The Tallis Scholars | F♯ Minor | 0 | 11A | 105 BPM | ||
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM | ||
Elias, Op. 70, MWV A25: Elijah, Op. 70, Part II: Hebe deine Augen auf zu den Bergen | Felix Mendelssohn, Estonian Philharmonic Chamber Choir, Daniel Reuss | D Major | 1 | 10B | 83 BPM | ||
Trist'Amarilli mia | Philippe Verdelot, Profeti Della Quinta | F♯ Minor | 1 | 11A | 83 BPM | ||
Intemerata Dei mater: I. Intemerata Dei mater | Johannes Ockeghem, Marc-André Hamelin, The Gesualdo Six, Owain Park | F Major | 1 | 7B | 135 BPM | ||
Present Yourselves as a Living Sacrifice | James O'Donnell, Owain Park, The Gesualdo Six | F Major | 1 | 7B | 75 BPM | ||
Farewell the Bliss | The Royal Wind Music | B♭ Minor | 1 | 3A | 91 BPM | ||
Four Songs of Love: I. Let Him Kiss Me | Sven-David Sandström, South Dakota Chorale, Brian A. Schmidt | F Major | 3 | 7B | 140 BPM | ||
Madonna qual certezza | Philippe Verdelot, Profeti Della Quinta | F♯ Minor | 2 | 11A | 129 BPM |
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