The City of Prague Philharmonic Orchestra's 'Live and Let Die (From "Live and Let Die")' came out on October 14, 2008. The duration of Live and Let Die (From "Live and Let Die") is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Live and Let Die (From "Live and Let Die")'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The City of Prague Philharmonic Orchestra's "James Bond: The Gold Collection 45 Years Of Music From The James Bond Films" album is number 11 out of 30. Live and Let Die (From "Live and Let Die") is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Live and Let Die (From "Live and Let Die") by The City of Prague Philharmonic Orchestra to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amar: Human II | Armand Amar, The City of Prague Philharmonic Orchestra | B♭ Minor | 1 | 3A | 153 BPM | ||
Beethoven: Epilogue ( Beethoven Piano Concerto no 5 "Emperor" -II ) | Ludwig van Beethoven, Terry Davies, Members Of The London Symphony Orchestra | B Major | 0 | 1B | 81 BPM | ||
Trooping With Crows | Abel Korzeniowski | F Minor | 1 | 4A | 155 BPM | ||
Theme from Mansfield Park | James Shearman, Nick Ingman | D Major | 2 | 10B | 156 BPM | ||
The Last Dance | Samuel Sim | G Major | 2 | 9B | 151 BPM | ||
Fantasia on a Theme by Thomas Tallis (excerpt) (Master and Commander: The Far Side of the World) | Ralph Vaughan Williams, New Zealand Symphony Orchestra, James Judd | C Minor | 0 | 5A | 80 BPM | ||
Symphony No. 6: VI. Allegro | Howard Hanson, Helsinki Philharmonic Orchestra, Leif Segerstam | B♭ Minor | 3 | 3A | 65 BPM | ||
Perpetuum Mobile | Penguin Cafe, The City of Prague Philharmonic Orchestra, Guy Protheroe | C Major | 4 | 8B | 80 BPM | ||
This Is Berk / Coming Back Around (From "How to Train Your Dragon") [Arr. S. O'Loughlin] | Vogtland Philharmonic Orchestra Greiz-Reichenbach | E♭ Major | 4 | 5B | 102 BPM | ||
GODFATHER, THE - Sicilian Pastorale | Raine, The City of Prague Philharmonic Orchestra | F Minor | 1 | 4A | 73 BPM |
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