"Fantasia on a Theme by Thomas Tallis (excerpt) (Master and Commander: The Far Side of the World)" by Ralph Vaughan Williams, New Zealand Symphony Orchestra, James Judd was released on June 30, 2004. Fantasia on a Theme by Thomas Tallis (excerpt) (Master and Commander: The Far Side of the World) is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. The song is number 9 out of 11 in Cinema Classics 2004 by Various Artists, Michael Halasz, Johannes Wildner, Wolfgang Sebotka, Jeremy Summerly, Alexander Rahbari, Jozef Kopelman, Kenneth Schermerhorn, James Judd, John McGlinn, Theodore Kuchar. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Fantasia on a Theme by Thomas Tallis (excerpt) (Master and Commander: The Far Side of the World) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fantasia on a Theme by Thomas Tallis (excerpt) (Master and Commander: The Far Side of the World) by Ralph Vaughan Williams, New Zealand Symphony Orchestra, James Judd is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite suite de concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | A Major | 0 | 11B | 71 BPM | ||
Minas Tirith (feat. Ben Del Maestro) | Howard Shore, Ben Del Maestro | B♭ Major | 4 | 6B | 70 BPM | ||
A Thorough Education (feat. Jack Liebeck) | Dario Marianelli, Jack Liebeck, Benjamin Wallfisch | A♭ Minor | 1 | 1A | 78 BPM | ||
Farewell | Dario Marianelli, Jean-Yves Thibaudet | B♭ Minor | 1 | 3A | 138 BPM | ||
The Battle Scene (From "Gladiator") | Hans Zimmer, Khatia Buniatishvili | D♭ Major | 4 | 3B | 104 BPM | ||
Peer Gynt Suite No.1 op. 46 Death of Aase (Andante doloroso) | Academy of St. Martin in the Fields | G Major | 0 | 9B | 109 BPM | ||
The Far Side of the World | Iva Davies, Richard Tognetti, Christopher Gordon | C Major | 3 | 8B | 132 BPM | ||
Boldwood Variation | Craig Armstrong | A Minor | 2 | 8A | 59 BPM | ||
Can't Slow Down - From "Pride & Prejudice" Soundtrack | Jean-Yves Thibaudet | G Major | 1 | 9B | 116 BPM | ||
Concerto Grosso in G Minor, Op. 6, No. 8, "Fatto per la Notte di Natale": III. Adagio - Allegro - Adagio | Arcangelo Corelli, Orpheus Chamber Orchestra, Naoko Tanaka, Eric Wyrick, Eric Bartlett, Edward Brewer | E♭ Major | 1 | 5B | 86 BPM |
Section: 0.7175781726837158
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