Richard Wilson, Misha Amory (viola), James Sedares, New Zealand Symphony Orchestra made "The Purist" available on February 22, 2000. With The Purist being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wilson: Symphony No. 1; Viola Sonata; Tribulations; Gnomics by Richard Wilson, Misha Amory (viola), New Zealand Symphony Orchestra, James Sedares. The song's track number on the album is #12 out of 16 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, The Purist's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since The Purist by Richard Wilson, Misha Amory (viola), James Sedares, New Zealand Symphony Orchestra has a tempo of 132 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With The Purist being at 132 BPM, the half-time would be 66 BPM with a double-time of 264 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shostakovich: Cello Concerto No. 2 in G Major, Op. 126: II. Allegretto | Dmitri Shostakovich, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra of Saint Petersburg | G Major | 2 | 9B | 113 BPM | ||
Variations on a theme of Paganini: Var. 14. Alla giga | Marc-André Hamelin | C Major | 0 | 8B | 129 BPM | ||
Canon | Christian McBride, Edgar Meyer | E Minor | 1 | 9A | 69 BPM | ||
Messiaen: Le Merle noir | Olivier Messiaen, Emmanuel Pahud, Eric Le Sage | D♭ Major | 0 | 3B | 93 BPM | ||
Interlude - From "2046" | Dirk Brossé, Brussels Philharmonic | A Major | 0 | 11B | 80 BPM | ||
Escualo | Astor Piazzolla, Die 12 Cellisten der Berliner Philharmoniker | B Minor | 3 | 10A | 128 BPM | ||
Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps | Olivier Messiaen, Martin Fröst | F♯ Minor | 0 | 11A | 97 BPM | ||
Aria, Op. 9 | Mieczysław Weinberg, Kremerata Baltica, Gidon Kremer | B♭ Major | 1 | 6B | 90 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | ||
Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Danish String Quartet | E♭ Major | 0 | 5B | 77 BPM |
Section: 0.7960565090179443
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