Nicol Matt, Soloist Of The Freiburger Barockorchester, Heike Hümmer, Johann Sebastian Bach, Jörg Halobek, Martina Rotbauer, Jens Wollenschläger, Ute Petersilge, Robert Sagasser, Nordic Chamber Choir made "Gelobet Seist Du, Jesu Christ, Weihnachtsoratorium Bwv 248" available on March 28, 2007. With Gelobet Seist Du, Jesu Christ, Weihnachtsoratorium Bwv 248 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 9 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Based on our statistics, Gelobet Seist Du, Jesu Christ, Weihnachtsoratorium Bwv 248's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Gelobet Seist Du, Jesu Christ, Weihnachtsoratorium Bwv 248 by Nicol Matt, Soloist Of The Freiburger Barockorchester, Heike Hümmer, Johann Sebastian Bach, Jörg Halobek, Martina Rotbauer, Jens Wollenschläger, Ute Petersilge, Robert Sagasser, Nordic Chamber Choir is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto à 5 in G Major for Two Oboes and Strings, Op. 9 No. 6: II. Adagio | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Chamber Orchestra, Nicol Matt | F Major | 4 | 7B | 121 BPM | ||
Am Morgen | Alexander Därr | D Major | 0 | 10B | 112 BPM | ||
Mass in D Minor: Kyrie: Kyrie I | Johann Adolf Hasse, Mária Zádori, Lena Susanne Norin, Hans-Jörg Mammel, Klaus Mertens, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | D Major | 2 | 10B | 105 BPM | ||
Magnificat, W. E22: Et misericordia eius (Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
Requiem "Misa": XIV. Comunion. Lux aeterna | José de Nebra, Coro Victoria, Schola Antiqua, La Madrileña, José Antonio Montaño | F♯ Major | 2 | 2B | 71 BPM | ||
Concerto in D Major for Oboe Solo and Strings, Op. 7 No. 6: III. Allegro | Tomaso Albinoni, Stefan Schilli, Stuttgart Kammerorchester, Nicol Matt | D Major | 4 | 10B | 114 BPM | ||
Herzlich Thut Mich Verlangen, Weihnachtsoratorium Bwv 248 | Nicol Matt, Martina Rotbauer, Ute Petersilge, Nordic Chamber Choir, Heike Hümmer, Jörg Halobek, Soloist Of The Freiburger Barockorchester, Jens Wollenschläger, Johann Sebastian Bach, Robert Sagasser | A♭ Minor | 2 | 1A | 89 BPM | ||
Capriccio in G Minor, FbWV 505, Pt. 3 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Sonata No. 10 in F Major, “L’ affetuosa”: I. Allegro affettuoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | C Major | 4 | 8B | 213 BPM | ||
Der Herr ist mein getreuer Hirt, P81 | Johann Pachelbel, Matthew Owens | A Major | 2 | 11B | 113 BPM |
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